"In The Black Shore, O'Neill finally expresses his criticism of Ireland, Irish nationalism, and Irish Catholicism, often in hilariously satiric scenes and with a cast of characters as ugly and unsavory as any to be found in modern Anglo-Irish literature. The novel is also an Irish love story of sorts and traces the perverse relationship between the local doctor and the niece of the parish priest - he, the confirmed and vocal atheist in a fanatically Catholic country, who is sadly incapable of expressing love and she, the wife who, looking for romance and glamour, in the bogs of Ireland, sees herself the possible instrument of his salvation. The Black Shore is also a fitting final statement of the man Joseph O'Neill who spent twenty-five years buried in the bureaucracy of the Irish Department of Education, loathing the petty, bourgeois life he lived, longing for the heroic past, for the time - if it ever existed - when a man's thoughts and actions functioned in accord."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

After weeks of lonely journeys through a desolate region fo the Delta Quadrant, the crew of Voyager is badly in need of shore leave, so the planet Ryolanov seems just what the doctor ordered. Full of warm sunlight and gracious, hospitable people, Ryolanov is a veritable oasis amidst the endless reaches of uncharted space. Alerted by his spirit guide, Chakotay is the first to suspect that there may be a serpent lurking in this paradise, but he is not alone. Driven by a psychic call she cannot ignore, Kes must conquer her own fears to discover the terrifying secret lurking beyond the black shore.

"Richly-woven, evocative, and absolutely impossible to put down — I was hooked from the first lines! Dark Shores has everything I look for in a fantasy novel: fresh, unique settings, a cast of complex and diverse characters, and an unflinching boldness with the nuanced world-building. I loved every word." — Sarah J. Maas, #1 New York Times bestselling author of Throne of Glass The Celendor Empire has set its sights on conquering the far side of the world. And the secret to transporting its legions across the treacherous seas is held by seventeen-year-old Teriana. Teriana has always been taught that east must never meet west, but when her closest friend is forced into an unwanted betrothal, she breaks the rule. A decision Teriana comes to regret when her crew are imprisoned and she lands face-to-face with the Empire’s most ruthless—and secretive—commander, Marcus. To save her people, Teriana chooses to guide Marcus and his legions into a world of meddlesome gods and magic. But with dark forces rising on both sides of the seas, the consequences of her alliance with the enemy may be greater than she imagined . . . especially for her heart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.

The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."