Two years have passed since the events of The Order of the Scales. Across the realms, dragons are still hatching. Hatching, and hatching free. Skorl is an Ember, a soldier trained from birth to fight dragons. He is a living weapon, one-shot only, saturated with enough dragon-poison to bring down a monster all on his own. Misanthrope, violent and a drunk, to fulfil his purpose and slay a dragon, means to be eaten. Now Skorl has a choice: he can hang for his crimes, or he can go with the last of the Adamantine Men, fighting against an enemy he was born to face. Rat is an Outsider. He's on the run and he's stumbled onto something that's going to make him rich beyond all his dreams. It's just a shame that the end of the world has started without him. Kataros is an alchemist, one of the order responsible for keeping the dragons in check. One of the order that has just failed, and disastrously so. Two men, one woman. One chance to save the world from a storm of dragons ...

Greyfrair's Cemetery in Edinburgh has a centuries old reputation for being haunted. Its gruesome history includes use as a mass prison, headstone removal, witchcraft, bodysnatching, desecration, corpse dumping and live burial. In 1998, something new and inexplicable began occurring in the graveyard. Visitors encountered 'cold spots', strange smells and banging noises. They found themselves overcome by nausea, or cut and bruised by something they could not see. Over the space of two years, twenty-four people were knocked unconscious. Homes next to the graveyard wall became plagued by crockery smashing, objects moving and unidentified laughter. Witnesses to these attacks ran into the hundreds. There were two exorcisms of the area. Both failed. The section of Greyfriars where the attacks occurred is now chained shut. The entity responsible has been named the 'Mackenzie Poltergeist'. It has become one of the best-documented and most conclusive paranormal cases in history. The Poltergeist is still growing stronger. This is its story.

Two years have passed since the events of The Order of the Scales. Across the realms, dragons are still hatching. Hatching, and hatching free. Skorl is an Ember, a soldier trained from birth to fight dragons. He is a living weapon, one-shot only, saturated with enough dragon-poison to bring down a monster all on his own. Misanthrope, violent and a drunk, to fulfil his purpose and slay a dragon, means to be eaten. Now Skorl has a choice: he can hang for his crimes, or he can go with the last of the Adamantine Men, fighting against an enemy he was born to face. Rat is an Outsider. He's on the run and he's stumbled onto something that's going to make him rich beyond all his dreams. It's just a shame that the end of the world has started without him. Kataros is an alchemist, one of the order responsible for keeping the dragons in check. One of the order that has just failed, and disastrously so. Two men, one woman. One chance to save the world from a storm of dragons ...

A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents. More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under moss-covered trees that is one of the most popular draws of the city. 199 Cemeteries to See Before You Die features these unforgettable cemeteries, along with 196 more, seen in more than 300 photographs. In this bucket list of travel musts, author Loren Rhoads, who hosts the popular Cemetery Travel blog, details the history and features that make each destination unique. Throughout will be profiles of famous people buried there, striking memorials by noted artists, and unusual elements, such as the hand carved wood grave markers in the Merry Cemetery in Romania.

"Witches are gathering." When most people hear the word "witches," they think of horror films and Halloween, but to the nearly one million Americans who practice Paganism today, witchcraft is a nature-worshipping, polytheistic, and very real religion. So Alex Mar discovers when she sets out to film a documentary and finds herself drawn deep into the world of present-day magic. Witches of America follows Mar on her immersive five-year trip into the occult, charting modern Paganism from its roots in 1950s England to its current American mecca in the San Francisco Bay Area; from a gathering of more than a thousand witches in the Illinois woods to the New Orleans branch of one of the world's most influential magical societies. Along the way she takes part in dozens of rituals and becomes involved with a wild array of characters: a government employee who founds a California priesthood dedicated to a Celtic goddess of war; American disciples of Aleister Crowley, whose elaborate ceremonies turn the Catholic mass on its head; second-wave feminist Wiccans who practice a radical separatist witchcraft; a growing "mystery cult" whose initiates trace their rites back to a blind shaman in rural Oregon. This sprawling magical community compels Mar to confront what she believes is possible-or hopes might be. With keen intelligence and wit, Mar illuminates the world of witchcraft while grappling in fresh and unexpected ways with the question underlying every faith: Why do we choose to believe in anything at all? Whether evangelical Christian, Pagan priestess, or atheist, each of us craves a system of meaning to give structure to our lives. Sometimes we just find it in unexpected places.

Stone and brick tombs were repositories for the physical remains of many of Connecticut’s wealthiest and influential families. The desire was to be interred within burial vaults rather than have their wooden coffins laid into the earth in direct contact with crushing soil burden led many prominent families to construct large above-ground and semi-subterranean tombs, usually burrowed into the sides of hills as places of interment for their dead. "And So The Tomb Remains" tells the stories of the Connecticut State Archaeologist’s investigations into five 18th/19th century family tombs: the sepulchers of Squire Elisha Pitkin, Center Cemetery, East Hartford; Gershom Bulkeley, Ancient Burying Ground, Colchester; Samuel and Martha Huntington, Norwichtown Cemetery, Norwich; Henry Chauncey, Indian Hill Cemetery, Middletown; and Edwin D. Morgan, Cedar Hill Cemetery, Hartford. In all of these cases, the state archaeologist assisted in identifying and restoring human skeletal remains to their original burial placements when vandalized through occult rituals or contributed to the identification of unrecorded burials during restoration projects. Each investigative delves into family histories and genealogies, as well as archaeological and forensic sciences that helped identify the entombed and is told in a personal, story-telling approach. Written in essay form, each investigation highlights differing aspects of research in mortuary architecture and cemetery landscaping, public health, restoration efforts, crime scene investigations, and occult activities. These five case studies began either as “history mysteries” or as crime scene investigations. Since historic tombs were occupied by social and economic elites, forensic studies provide an opportunity to investigate the health and life stress pathologies of the wealthiest citizens in Connecticut’s historic past, while offering comparisons to the wellbeing of lower socio-economic populations.

A poetry collection that celebrates Black culture, creativity, and memory. From Kendrick to Kanye, to a Sunday in Oakland with Frank Ocean's falsetto in the foreground, Mausoleum of Flowers is still life set against the backdrop of demise. Daniel Summerhill's sophomore collection grabs fate by the throat and confronts it. What does it mean to continue living when your friends are dying beside you? This collection melds an exploration of spirituality and rebellion with Black tradition. Summerhill's poems invite the reader near in order to self-excavate and explore tones of loss, love, and light.