After being marooned in the vast and mysterious underworld known as the Underllars, Carym and Zach must try to find a way back to the surface and continue their quest for the Everpool. But Zach's new secret, and his growing paranoia, casts the shadow of suspicion upon him by all of the companions. His life-long friendship with Carym is in danger, as is their quest to find the Everpool, even as the hunters of the Dark Lord close in.

War Dragons. Fearsome Raiders. A Daemonic Warlord on the Rise. When the citizens of Black Keep see ships on the horizon, terror takes them because they know who is coming: for generations, the keep has been raided by the fearsome clanspeople of Tjakorsha. Saddling their war dragons, Black Keep's warriors rush to defend their home only to discover that the clanspeople have not come to pillage at all. Driven from their own land by a daemonic despot who prophesises the end of the world, the raiders come in search of a new home . . . Meanwhile the wider continent of Narida is lurching toward war. Black Keep is about to be caught in the crossfire – if only its new mismatched society can survive. The start of an unmissable fantasy series.

Surrounded by Extinction, the Keep is enclosed within a fifty foot wall. Only desert and destruction exist beyond. Inside this lone fortress, the Council of Constraint controls everything: curfew, clothes, career, names... In return for surrendering freedom, citizens receive survival. Most don't mind the exchange. The Son of Sara isn't like most people. However, no one seems to share his growing sense of dread. His mother is too busy. His father is dead. His friends think he’s reckless. Only nightly visits beyond the wall offer any relief. Then one day, he receives a letter signed by the Nightingale, the Keep's mysterious dissident. After that, nothing is the same. Unless he learns to live by the rules, Sarason could be called before the Council. He should stop before he is caught, but first he wants to know the Nightingale's identity, and why he was chosen to help her cause.

From Jean Baptiste Point DuSable to Oprah Winfrey, black entrepreneurship has helped define Chicago. Robert E. Weems Jr. and Jason P. Chambers curate a collection of essays that place the city as the center of the black business world in the United States. Ranging from titans like Anthony Overton and Jesse Binga to McDonald’s operators to black organized crime, the scholars shed light on the long-overlooked history of African American work and entrepreneurship since the Great Migration. Together they examine how factors like the influx of southern migrants and the city’s unique segregation patterns made Chicago a prolific incubator of productive business development—and made building a black metropolis as much a necessity as an opportunity. Contributors: Jason P. Chambers, Marcia Chatelain, Will Cooley, Robert Howard, Christopher Robert Reed, Myiti Sengstacke Rice, Clovis E. Semmes, Juliet E. K. Walker, and Robert E. Weems Jr.

Dark, High Fantasy campaign setting for the Dice & Glory tabletop RPG.

Despite the claim of many a Borscht Belt comic that he is a practitioner of "the world's second-oldest professsion," stand-up comedy is a young and distinctly American literary form. It was not until the last decades of the nineteenth century when, enabled by unprecedented prosperity and the right to free expression, that monologists began appearing in American vaudeville halls. Yet even though it has since become an entertainment industry mainstay, stand-up comedy has received precious little scholarly attention. The Legacy of the Wisecrack: Stand-up Comedy as the Great American Literary Form looks at the theory of stand-up comedy, its literary dimensions, and its distinctly American qualities as it provides a detailed history of the forces that shaped it. The study concludes with a look at the works of specific comedians such as Steven Wright, whose three decades of performances comprise a single picaresque tale, and Richard Pryor, whose 1982 masterpiece Richard Pryor Live on the Sunset Strip serves as modern America's answer to Dante Aligheri's epic poem, Inferno. The result is one of the first serious treatments of stand-up comedy as a literary form.