A groundbreaking history of the Black Joke, the most famous member of the British Royal Navy’s anti-slavery squadron, and the long fight to end the transatlantic slave trade. The most feared ship in Britain’s West Africa Squadron, His Majesty’s brig Black Joke was one of a handful of ships tasked with patrolling the western coast of Africa in an effort to end hundreds of years of global slave trading. Sailing after the spectacular fall of Napoleon in France, yet before the rise of Queen Victoria’s England, Black Joke was first a slaving vessel itself, and one with a lightning-fast reputation; only a lucky capture in 1827 allowed it to be repurposed by the Royal Navy to catch its former compatriots. Over the next five years, the ship’s diverse crew and dedicated commanders would capture more ships and liberate more enslaved people than any other in the Squadron. Now, author A.E. Rooks chronicles the adventures on this ship and its crew in a brilliant, lively narrative of the history of Britain’s suppression efforts. As Britain slowly attempted to snuff out the transatlantic slave trade by way of treaty and negotiation, enforcing these policies fell to the Black Joke and those that sailed with it as they battled slavers, weather disasters, and interpersonal drama among captains and crew that reverberated across oceans. In this history of the daring feats of a single ship, the abolition of the international slave trade is revealed as an inexplicably extended exercise involving tense negotiations between many national powers, both colonizers and formerly colonized, that would stretch on for decades longer than it should have. Harrowing and heartbreaking, The Black Joke is a crucial and deeply compelling work of history, both as a reckoning with slavery and abolition and as a lesson about the power of political will—or the lack thereof.

The Black Joke is a rousing sea story in the tradition of the great classic pirate tales. The time is the 1930s. The loot is bootleg liquor, not pirate gold. And the ship is the Black Joke, the speediest, nimblest craft on the Newfoundland coast—Jonathon Spence, owner and master. An unwelcome passenger enmeshes the boat and her crew (young Peter and Kye) in danger and near destruction . . . until the fiercely independent people of the island of Miquelon are caught up in the fate of the Black Joke and the cargo aboard her.

Even during the dark days of slavery, our courageous Black ancestors used comedy to lift their spirits, often making fun of the white people subjugating them. Even today, brave Black men and women risking their lives in the streets fighting white supremacy need a little humor to lift their spirits. This book is for you! MAD COMEDY has collected hundreds of hilarious jokes by top Black comics about the antics of our favorite clowns: white people! Only white people think bike riding is a sport. I know a crackhead who could win the Tour de France on a stolen Barbie bike. What do you call a black man selling drugs? A pharmacist, you racist. How many white people does it take to replace a light bulb? One to hold the bulb, and the rest to screw the whole world. Batman is the story of a rich white dude who beats people up and the cops just let him do it. Think about it: Batman's superpower is white privilege. A portion of the proceeds of this book will be donated to benefit Black causes.

Over 500 giggles, groans, and belly laughs! Kids can’t resist sharing jokes (even you try to stop them), so they always need a fresh supply. We’ve stuffed the pages of this little joke book with the funniest jokes we could find. Old favorites, new favorites, and a few festering stinkers, all guaranteed to make kids laugh out loud. You’ll find Q&A jokes, knock-knock jokes, riddles, and one-liners. And, of course, we’ve included entire chapters of those all-time kid-pleasers: elephant jokes, pirate jokes, and space jokes. Here’s a sampling: What's black and white, black and white, black and white? A penguin rolling down a hill. Why don’t zombies eat clowns? They taste funny. Why did the hen scold her chicks? They were using fowl language. What kind of books do skunks read? Best-smellers! How does Darth Vader like his toast? On the dark side. . . . and many more!

Laugh yourself silly in this fantastic collection of jokes and riddles! WHAT'S BLACK AND WHITE AND RED ALL OVER? An embarrassed Penguin A sunburnt elephant A newspaper! Did those jokes make you laugh? Make you groan? Maybe a bit of both? There's a lot more where they came from. Collected here by jokesmith Gyles Brandreth are some of the best and worst jokes ever (plus a few riddles to keep you on your toes). From 'Knock, knock' to 'Waiter waiter', with some funny elephants and giraffes thrown in for good measure, there's also a bit of expert joke advice, so you can show others just how funny you can be! 'Very funny, and often outright silly' Guardian on Have You Eaten Grandma by Gyles Brandreth

The comedian chronicles his coming of age while analyzing politics & culture in this New York Times–bestselling memoir and satirical guide. If You Don't Buy This Book, You’re a Racist. Have you ever been called “too black” or “not black enough?” Have you ever befriended or worked with a black person? Have you ever heard of black people? If you answered yes to any of these questions, this book is for you. Raised by a pro-black, Pan-Afrikan single mother during the crack years of 1980s Washington, DC, and educated at Sidwell Friends School and Harvard University, Baratunde Thurston has over thirty years’ experience being black. Now, through stories of his politically inspired Nigerian name, the heroics of his hippie mother, the murder of his drug-abusing father, and other revelatory black details, he shares with readers of all colors his wisdom and expertise in how to be black. Beyond memoir, this guidebook offers practical advice on everything from “How to Be The Black Friend” to “How to Be The (Next) Black President” to “How to Celebrate Black History Month.” To provide additional perspective, Baratunde assembled an award-winning Black Panel—three black women, three black men, and one white man (Christian Lander of Stuff White People Like)—and asked them such revealing questions as “When Did You First Realize You Were Black?” and “How Black Are You?” as well as “Can You Swim?” The result is a humorous, intelligent, and audacious guide that challenges and satirizes the so-called experts, purists, and racists who purport to speak for all black people. With honest storytelling and biting wit, Baratunde plots a path not just to blackness, but one open to anyone interested in simply “how to be.” Praise for How to Be Black “Part autobiography, part stand-up routine, part contemporary political analysis, and astute all over. . . . Reading this book made me both laugh and weep with poignant recognition. . . . A hysterical, irreverent exploration of one of America’s most painful and enduring issues.” —Melissa Harris-Perry “Struggling to figure out how to be black in the 21st century? Baratunde Thurston has the perfect guide for you.” —The Root

Reassessing the meanings of "black humor" and "dark satire," Laughing Fit to Kill illustrates how black comedians, writers, and artists have deftly deployed various modes of comedic "conjuring"--the absurd, the grotesque, and the strategic expression of racial stereotypes--to redress not only the past injustices of slavery and racism in America but also their legacy in the present. Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century fiction of William Wells Brown and Charles W. Chesnutt. Similarly, she reveals how the iconoclastic literary works of Ishmael Reed and Suzan-Lori Parks use satire, hyperbole, and burlesque humor to represent a violent history and to take on issues of racial injustice. With an abundance of illustrations, Carpio also extends her discussion of radical black comedy to the visual arts as she reveals how the use of subversive appropriation by Kara Walker and Robert Colescott cleverly lampoons the iconography of slavery. Ultimately, Laughing Fit to Kill offers a unique look at the bold, complex, and just plain funny ways that African American artists have used laughter to critique slavery's dark legacy.