Rising science fiction and fantasy star P. Djèlí Clark brings an alternate New Orleans of orisha, airships, and adventure to life in his immersive debut novella The Black God's Drums. Alex Award Winner! In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans. “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!”—New York Times bestselling author Scott Westerfeld At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

THE INTERNATIONAL PHENOMENON BEHIND THE COSMERE A STANDALONE COSMERE ADVENTURE WITH MAGIC AS YOU HAVE NEVER SEEN IT **** A story of two sisters, who just so happen to be princesses. A story about two gods, one a God King and one lesser. A story about an immortal trying to undo the mistakes he made hundreds of years ago. Meet WARBREAKER. This is a story of two sisters - who happen to be princesses, the God King one of them has to marry, a lesser god, and an immortal trying to undo the mistakes he made hundreds of years ago. Theirs is a world in which those who die in glory return as gods to live confined to a pantheon in Hallandren's capital city. A world transformed by BioChromatic magic, a power based on an essence known as breath. Using magic is arduous: breath can only be collected one unit at a time from individual people. But the rewards are great: by using breath and drawing upon the color in everyday objects, all manner of miracles and mischief can be performed. **** SANDERSON THE EPIC FANTASY TITAN: 'Exceptional tale of magic, mystery and the politics of divinity' MICHAEL MOORCOCK 'A powerful stand-alone tale of unpredictable loyalties, dark intrigue and dangerous magic' PUBLISHERS WEEKLY 'Sanderson is astonishingly wise' ORSON SCOTT CARD 'Epic in every sense' GUARDIAN

J-Rod moves like a small tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket. On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Basketball is popular among young black American men but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.

'Wonderfully written and characteristically brilliant' Peter Frankopan, author of The Silk Roads 'Elegant, readable ... an impressive synthesis ... Not many historians could have done it' - Jonathan Sumption, Spectator 'Tyerman's book is fascinating not just for what it has to tell us about the Crusades, but for the mirror it holds up to today's religious extremism' - Tom Holland, Spectator Thousands left their homelands in the Middle Ages to fight wars abroad. But how did the Crusades actually happen? From recruitment propaganda to raising money, ships to siege engines, medicine to the power of prayer, this vivid, surprising history shows holy war - and medieval society - in a new light.

Stemming from his anthropological field work among black religious groups in Philadelphia in the early 1940s, Arthur Huff Fauset believed it was possible to determine the likely direction that mainstream black religious leadership would take in the future, a direction that later indeed manifested itself in the civil rights movement. The American black church, according to Fauset and other contemporary researchers, provided the one place where blacks could experiment without hindrance in activities such as business, politics, social reform, and social expression. With detailed primary accounts of these early spiritual movements and their beliefs and practices, Black Gods of the Metropolis reveals the fascinating origins of such significant modern African American religious groups as the Nation of Islam as well as the role of lesser known and even forgotten churches in the history of the black community. In her new foreword, historian Barbara Dianne Savage discusses the relationship between black intellectuals and black religion, in particular the relationship between black social scientists and black religious practices during Fauset's time. She then explores the complexities of that relationship and its impact on the intellectual and political history of African American religion in general.

Join pastor and bestselling author Kyle Idleman as he illustrates a clear path away from the heartache of our twenty-first-century idolatry and back to the heart of God--enabling us to be completely committed followers of Jesus. What do Netflix, our desire for the corner office, and that perfect picture we just posted on Instagram have to do with each other? None of these things are wrong in and of themselves. But when we begin to allow entertainment, success, or social media to control us, we miss out on the joy of God's rule in our hearts. In Gods at War, Idleman helps every believer recognize that there are false gods at war within each of us, and they battle for the place of glory and control in our lives. According to Idleman, idolatry isn't an issue; it is the issue. And he reveals which false gods we are allowing on the throne of our lives by asking insightful questions, including: What do you sacrifice for? What makes you mad? What do you worry about? Whose applause do you long for? We're all wired for worship, but we often end up valuing and honoring the idols of money, sex, food, romance, success, and many others that keep us from the intimate relationship with God that we desire. In this updated and expanded edition of Gods at War, Idleman adds a new introduction as well as new content about the battle many of us face with technology, whether we are tempted to send just one more text, stay online when our bodies need rest, or put email before in-person relationships, teaching us how to seek God with our whole heart instead. Praise for Gods at War: "Today's false gods are more tempting than ever as they promise comfort, wealth, and happiness. Kyle Idleman equips us to kill the deceitful pests that harass our hearts. Get ready for battle." --Mark Batterson, pastor, National Community Church, and bestselling author of The Circle Maker "Don't just read this book--read it now! Kyle's words will dig deep to expose the false gods that drive us away from the real One. In these pages, liberation awaits." --Lee Strobel, bestselling author of The Case for Christ and The Case for Faith