Traces the history of modern Black music through text and photographs, celebrating the idea that there is a musical thread that travels throughout the world, changing the culture and music of each place it touches.

The Little Black Songbook returns without any songs! Instead, this collection provides over 1100 Guitar chords, each is presented in an easy-to-read format, including fingerings, note names and helpful tips for all guitarists. There is also a useful guide to some of the most common alternative tunings, advice on power chords and more. Whether you’re a beginner looking for a handy reference for those chords you need, or a more experienced player looking to branch out into more esoteric sounds and gain some songwriting prompts, this little book is the perfect companion.

(Piano/Vocal/Guitar Artist Songbook). 18 of the finest from this Ohio duo's first ten years, arranged for piano, voice, and guitar. Includes: Everlasting Light * Girl Is on My Mind * Gold on the Ceiling * I Got Mine * Lonely Boy * Psychotic Girl * Set You Free * 10 A.M. Automatic * Tighten Up * When the Lights Go Out * Your Touch * and more.

Teach yourself the essential piano chords plus many more! Organized as a chord per spread, for the left and right hands, this is a handy, comprehensive reference for jazz, pop, rock and soul musicians playing the piano or keyboard at any level. This no-nonsense, easy to carry, wiro book will fit on a stand and into a music bag or hand bag with the minimum of fuss. Revised and updated version, replaces ISBN-13 9781844517152

The essay film - 'a form that thinks' - serves to create a self-reflexive space for contemporary society by challenging expectations and demanding the creative involvement of the spectator. Using film to provoke thought has never been more important than now, when non-fiction films are gaining in popularity and playing a growing part in debates about culture and politics. This timely publication argues that the appeal of the essay film lies primarily in the dialogic engagement with the spectator and the richness of the intellectual and artistic debate it stimulates. The book focuses on the work of three key European film directors associated with the essay film: Chris Marker, Harun Farocki and José Luis Guerín. It provides a detailed analysis of several films by each director, exploring the relationship between dialogism and essayism in their work and placing this in the wider context of debates on the cinematic essay as a genre. Central aspects of essayistic filmmaking are explored, including its radical approach to knowledge, its distinctive patterns of subjectivity, its challenging of the formal representation of reality, and its contribution to new understandings of spectatorship. Written with clarity and perception, this volume offers new insights into the rise of the non-fiction film and the essay film, in particular.