The Black Castle is a fast-moving tale of battle between brothers. One is seen as evil because he is a vampire, while the other is perceived as good because he is a man of God. But the vampire only does what he has to do to survive while the churchman, an Inquisitor, inflicts pain for the power it confers upon him. Which is the greater evil?

Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.

This second book in Mr. Amari Soul's "Reflections Of A Man" series (following the release of the inspirational best seller "Reflections Of A Man") will help you to get past your pain, get rid of the self-doubt and help you to see yourself in a new light... a light which illuminates through all of the darkness and shines through to the Beautiful, Strong Woman inside of you.

Continuing the swashbuckling epic begun in The Paths of the Dead Journeys! Intrigues! Sword fights! Young persons having adventures! Beloved older characters having adventures, too! Quests! Battles! Romance! Snappy dialogue! Extravagant food! And the missing heir to the Imperial Throne! In the swashbuckling, extravagant manner of The Phoenix Guards, Five Hundred Years After, and The Paths of the Dead, this is an old-fashioned adventure--moving at a twenty-first-century pace. The Interregnum is over. To everyone's astonishment, Zerika, a very young Phoenix, has coolly emerged from the Paths of the Dead, carrying with her the Orb, which everyone had thought was lost in Adron's Disaster. The Orb is the heart of the Dragaeran Empire, the source of all its magic--and the infallible sign that Zerika is the new Empress. But not everyone is happy to hear the news. It's been 250 years since Adron's Disaster, and power vacuums never stay that way for long. Kâna, a Dragonlord, has been expanding his holdings. He now controls almost half the area that was once the Empire -- in effect, the Empire re-created, with himself on the throne. Among those opposing him is a young Dragonlord named Morrolan - the same Morrolan familiar to every reader of the Vlad Taltos adventures. Until recently, Morrolan was an orphan raised among Easterners, unaware of his lineage, but it has belatedly come to his attention that he's a high-ranking Dragonlord, and now he means to act like one. And from Sethra Lavode he has received a gift of immense significance and power: Blackwand, a magical artifact in the form of a sword. He'll find plenty to do with it. The Khaavren Romances, set in the world of Vlad Taltos's Dragaera: 1. The Phoenix Guards 2. Five Hundred Years After 3. The Paths of the Dead (The Viscount of Adrilankha, Vol. 1) 4. The Lord of Castle Black (The Viscount of Adrilankha, Vol. 2) 5. Sethra Lavode (The Viscount of Adrilankha, Vol. 3) The Baron of Magister Valley [standalone] At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Castle of Llyr by Lloyd Alexander, Book Three in The Chronicles of Prydain Princess Eilonwy hates to leave her friend Taran, Assistant Pig-Keeper, and her beloved home, Caer Dallben. Why does she have to go to the Isle of Mona to train as a proper lady when she's already a princess? But Eilonwy soon faces much more than the ordeal of becoming a dignified young maiden, for she possesses magical powers sought by the evil enchantress Queen Achren. When Eilonwy is put under a deep spell, Taran and his companions set out on a dangerous quest to rescue her. Yet how can a lowly Assistant Pig-Keeper hope to stand against the most evil enchantress in all of Prydain?

An exciting new Regency Historical Romance series! Graham, Lord Blakemore, was believed to be lost at sea as a boy. While his mother, Lady Agatha, has never given up hope of finding her son again, others-eager for the title and the wealth that accompanies it-have been conspiring to have him declared dead against Lady Agatha's wishes. Her only ally in the house is her late husband's ward, Miss Beatrice Marlowe. But when a dark-haired stranger arrives on their doorstep claiming to be the lost heir to Castle Black, the plots and schemes of those who would have the castle for themselves take a dark and even more sinister turn. An orphan when she came into the care of the late Lord Blakemore, Castle Black is the only home Beatrice has ever known. Its occupants are her family. This stranger, who claims to have lost his memory of his life there, threatens the order of all that she knows and holds dear. And yet, she is both drawn to him and strangely compelled to believe his claim. Beatrice finds herself torn between her desire for him and her belief that, if he is the lost lord of Castle Black, he is far above her reach. Graham is no ordinary gentleman, bound by the rules of a society he has spent his life far removed from. He's willing to face not just the danger that lurks within the walls of Castle Black, but anyone who stands between him and what he wants. He has returned to claim his destiny and, for him, Beatrice is part of that. While all else has been forgotten, he knows her to the depths of his soul. More than the castle itself, more than the strangely familiar and rugged land it sits upon, she is his home and he means to claim her.

Fantasy-roman.