The Beauty and the Beast: a haunted and hidden lord, a desperate young beauty, and a marriage of convenience between two people who yearn for more… James Markland, Lord Falconer, knows that he is ugly, very ugly, and he lives a life of seclusion, wearing a heavily cowled mantle to conceal his face from the world. When he learns that a neighboring girl, the exquisite young Ariel Hawthorne, is about to be sold into marriage with a revolting lecher, he offers her the only protection he can: his name. Of course it will be a marriage in name only, because what woman could want him? A talented artist, Ariel is cursed by her beauty and vulnerability. Though she never sees her husband's face, she is drawn to his kindness and generosity, but he is determined to push her away. Will he allow her to love him before it's too late? Perhaps the magic of Christmas can bring them together… This seasonal stand-alone Regency novella is also published in the author's Christmas Revels collection.

Fan favorite couple Rhage and Mary return in this gripping novel in the #1 New York Times bestselling Black Dagger Brotherhood series. Nothing is as it used to be for the Black Dagger Brotherhood. The slayers of the Lessening Society are stronger than ever, preying on human weakness to acquire more money, more weapons, more power. But as the Brotherhood readies for an all-out attack on them, one of their own fights a battle within himself... For Rhage—the Brother with the biggest appetites, but also the biggest heart—life was supposed to be perfect. Or at the very least, perfectly enjoyable. But he can’t understand or control the panic and insecurity that plague him. Terrified, he must reassess his priorities after suffering a mortal injury. And the answer, when it comes to him, rocks his—and his beloved Mary’s—world...

**The 2022 Lammy Award Winner in Transgender Nonfiction** Exploring the intersections of Blackness, gender, fatness, health, and the violence of policing. To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to sociopolitically sanctioned discrimination, abuse, condescension, and trauma. Da’Shaun Harrison--a fat, Black, disabled, and nonbinary trans writer--offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. Policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary masculine people are pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or nontreatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, Blackness, disability, and gender, these abuses are exacerbated. Taking on desirability politics, the limitations of gender, the connection between anti-fatness and carcerality, and the incongruity of “health” and “healthiness” for the Black fat, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness. They offer strategies for dismantling denial, unlearning the cultural programming that tells us “fat is bad,” and destroying the world as we know it, so the Black fat can inhabit a place not built on their subjugation.

One of TIME’s 100 Best Fantasy Books of All Time Winner of the L.A. Times Ray Bradbury Prize Finalist for the 2019 National Book Award The New York Times Bestseller Named a Best Book of 2019 by The Wall Street Journal, TIME, NPR, GQ, Vogue, and The Washington Post "A fantasy world as well-realized as anything Tolkien made." --Neil Gaiman "Gripping, action-packed....The literary equivalent of a Marvel Comics universe." --Michiko Kakutani, The New York Times The epic novel from the Man Booker Prize-winning author of A Brief History of Seven Killings In the stunning first novel in Marlon James's Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child. Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard. As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying? Drawing from African history and mythology and his own rich imagination, Marlon James has written a novel unlike anything that's come before it: a saga of breathtaking adventure that's also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf is both surprising and profound as it explores the fundamentals of truth, the limits of power, and our need to understand them both.

A New York Times Best Seller! Baltimore, one of our country’s quintessential urban war zones, is brought powerfully to life by literary talent, D. Watkins To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order. Suddenly the entire country seemed to be awakened to a stark fact: African American men are in danger in America. This has only become clearer as groups like Black Lives Matter continue to draw attention to this reality daily not only online but also in the streets of our nation’s embattled cities. D. Watkins. fought his way up on the eastside (the “beastside”) of Baltimore, Maryland—or “Bodymore, Murderland,” as his friends call it. He writes openly and unapologetically about what it took to survive life on the streets while the casualties piled up around him, including his own brother. Watkins pushed drugs to pay his way through school, staying one step ahead of murderous business rivals and equally predatory lawmen. When black residents of Baltimore finally decided they had had enough—after the brutal killing of twenty-five-year-old Freddie Gray while in police custody—Watkins was on the streets as the city erupted. He writes about his bleeding city with the razor-sharp insights of someone who bleeds along with it. Here are true dispatches from the other side of America. In this new paperback edition, the author has also added new material in a section title "Bonus Tracks", responding to the rising tide of racial resentment and hate embodied by political figures like Donald Trump and Ted Cruz as well as the heartbreaking killings of Alton Sterling and Philando Castile, and the impact this has had on issues of race in America. This book is essential reading for anyone trying to make sense of the chaos of our current political moment.

Inside, these poems will take you to a place, an edge, in the midst of the horrors of racial inequity, re George Floyd, and the ensuing attempts of disestablishing the strongholds of racial bias, discrimination, and injustice. C.I. Aki will take you there, show it to you, urge change for the world, then ask, "Is this the sole purpose of Black poetry?" And, reminding you that he is also the multitudes of the "I am," we are given the complete picture of the poet, his job, and his work. Smattered about are poems of love, poems of hope, poems of questioning with some honest, innovative answers too, and we are forced to sit, and think, and listen to the inexorable genius unveiling itself within these words. These poems are monuments, an unrelenting achievement for the modern Black poet's soul. The world is filled with beasts, but they cannot shroud entirely its beauty.