'...a masterly study.' Alister McGrath, Theological Book Review '...a splendid read.' J.J.Scarisbrick, TLS '...profound, witty...of immense value.' David Loades, History Today Historians have always known that the English Reformation was more than a simple change of religious belief and practice. It altered the political constitution and, according to Max Weber, the attitudes and motives which governed the getting and investment of wealth, facilitating the rise of capitalism and industrialisation. This book investigates further implications of the transformative religious changes of the sixteenth and seventeenth centuries for the nation, the town, the family, and for their culture.

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Containing detailed readings of plays by Shakespeare, Marlowe and Middleton, as well as poetry and prose, this book provides a major historical and critical reassessment of the relationship between early modern Protestantism and drama. Examining the complex and painful shift from late medieval religious culture to a society dominated by the ideas of the Reformers, Adrian Streete presents a fresh understanding of Reformed theology and the representation of early modern subjectivity. Through close analysis of major thinkers such as Augustine, William of Ockham, Erasmus, Luther and Calvin, the book argues for the profoundly Christological focus of Reformed theology and explores how this manifests itself in early modern drama. Moving beyond questions of authorial 'belief', Streete assesses Elizabethan and Jacobean drama's engagement with the challenges of the Reformation.

This book is a lively and accessible study of English religious life during the century of the Reformation. It draws together a wide range of recent research and makes extensive use of colourful contemporary evidence. The author explores the involvement of ordinary people within, alongside and beyond the church, covering topics such as liturgical practice, church office, relations with the clergy, festivity, religious fellowships, cheap print, 'magical' religion and dissent. The result is a distinctive interpretation of the Reformation as it was experienced by English people, and the strength, resourcefulness and flexibility of their religion emerges as an important theme.

A Companion to Tudor Britain provides an authoritative overview of historical debates about this period, focusing on the whole British Isles. An authoritative overview of scholarly debates about Tudor Britain Focuses on the whole British Isles, exploring what was common and what was distinct to its four constituent elements Emphasises big cultural, social, intellectual, religious and economic themes Describes differing political and personal experiences of the time Discusses unusual subjects, such as the sense of the past amongst British constituent identities, the relationship of cultural forms to social and political issues, and the role of scientific inquiry Bibliographies point readers to further sources of information

Prayer divided seventeenth-century England. Anglican Conformists such as Lancelot Andrewes and Jeremy Taylor upheld set forms of prayer in the Book of Common Prayer, a book designed to unite the nation in worship. Puritan Reformers and Dissenters such as John Milton and John Bunyan rejected the prayer book and advocated for extemporaneous or free prayer. In 1645, the mainly Puritan Long Parliament proscribed the Book of Common Prayer and dismantled the Anglican Church in the midst of civil war. This led Anglican poets and liturgists to defend their tradition with energy and erudition in print. In 1662, with monarchy restored, the mainly Anglican Cavalier Parliament reinstated the Church and its prayer book to impose religious uniformity. This galvanized English Nonconformity and Dissent and gave rise to a vibrant literary counter-tradition. Addressing this fascinating history, David Gay examines competing claims to spiritual gifts and graces in polemical texts and their influence on prayer and poetry. Amid the contention of differing voices, the disputed connection of poetry and prayer, imagination and religion, emerges as a central tension in early modern literature and culture.