Why did Yugoslavia fall apart? Was its violent demise inevitable? Did its population simply fall victim to the lure of nationalism? How did this multinational state survive for so long, and where do we situate the short life of Yugoslavia in the long history of Europe in the twentieth century? A History of Yugoslavia provides a concise, accessible, comprehensive synthesis of the political, cultural, social, and economic life of Yugoslavia—from its nineteenth-century South Slavic origins to the bloody demise of the multinational state of Yugoslavia in the 1990s. Calic takes a fresh and innovative look at the colorful, multifaceted, and complex history of Yugoslavia, emphasizing major social, economic, and intellectual changes from the turn of the twentieth century and the transition to modern industrialized mass society. She traces the origins of ethnic, religious, and cultural divisions, applying the latest social science approaches, and drawing on the breadth of recent state-of-the-art literature, to present a balanced interpretation of events that takes into account the differing perceptions and interests of the actors involved. Uniquely, Calic frames the history of Yugoslavia for readers as an essentially open-ended process, undertaken from a variety of different regional perspectives with varied composite agenda. She shuns traditional, deterministic explanations that notorious Balkan hatreds or any other kind of exceptionalism are to blame for Yugoslavia’s demise, and along the way she highlights the agency of twentieth-century modern mass society in the politicization of differences. While analyzing nuanced political and social-economic processes, Calic describes the experiences and emotions of ordinary people in a vivid way. As a result, her groundbreaking work provides scholars and learned readers alike with an accessible, trenchant, and authoritative introduction to Yugoslavia's complex history.

This book examines the relationship between nationalism and the rise and fall of Yugoslavia under the rule of Josip Broz Tito. It deals particularly with the interactions between communist and intellectual elites. The authors analyze elites’ initial enthusiasm about the Yugoslav federation and how, with time, they found themselves unable to suppress the nationalists in Yugoslavia. Other scholars have argued that, in a certain sense, Tito’s Yugoslavia proved to be a “hatchery” for the nations that once constituted Yugoslavia, making them ever closer to “completeness.” However, as the authors highlight in this study, this process was one of conflict. The personal role of Tito as an arbiter was essential, although, for the majority of his time in power, he did not act as a dictator. His departure was strongly felt in the 1980s, when ethnic entrepreneurial activity began to flourish—and when ethnic and political relations had gone out of control. While a significant part of this book follows the chronology of ethnic elite interaction in communist Yugoslavia, the global context of Yugoslavia’s rise and fall is taken into account. The authors also use Yugoslavia as a case study to test the validity of nationalism studies more generally.

A study of the impact of the Great War on state and society in Yugoslavia during the interwar period. John Paul Newman examines its effects through the men who took part in the war, both those who served in the Serbian army and those who fought in the Austro-Hungarian army.

The final weeks of World War I saw a revolutionary upheaval in Europe, as old empires collapsed and new, self-proclaimed 'nation-states' emerged in their place. For its advocates, the Yugoslav state created in 1918 represented a largely uniform culture and identity. But as its official name - the Kingdom of the Serbs, Croats and Slovenes - suggested, its population was by no means homogeneous. Too late, the British - who had been instrumental in the birth of the state at Versailles - as well as other Europeans and the Americans came to appreciate that divisions of religious affiliation and historical tradition continued to override linguistic unity. James Evans analyses British ideas and assumptions about the region's history and culture and assesses how these were reshaped by newly prevalent ideas about Yugoslav nationality. Attitudes and preconceptions first formed during this period would prove remarkably enduring, making their mark on British responses to events in Yugoslavia throughout the country's troubled history. "Great Britain and the Creation of Yugoslavia" sheds valuable light not only on attitudes to Yugoslav nationality in the early 20th century, but also on western responses to the violent demise of the Yugoslav state at the century's close.

A “funny and tragic and beautiful in all the right places” (Jenny Lawson, #1 New York Times bestseller author of Furiously Happy) memoir about the immigrant experience and life as a perpetual fish-out-of-water, from the acclaimed Serbian-Australian storyteller. Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don’t exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic’s early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state. As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can’t seem to fit in, and their turbulent homeland, which they can’t seem to shake. Meanwhile, Yugoslavia collapses into the bloodiest European conflict in recent history. Featuring warlords and beauty queens, tiger cubs and Baby-Sitters Clubs, Sofija Stefanovic’s memoir is a window to a complicated culture that she both cherishes and resents. Revealing war and immigration from the crucial viewpoint of women and children, Stefanovic chronicles her own coming-of-age, both as a woman and as an artist. Refreshingly candid, poignant, and illuminating, “Stefanovic’s story is as unique and wacky as it is important” (Esquire).