Book description to come.

Ranging from the birth of simple signature tags to today's vibrant murals, and covering the ups and downs of the movement, the culture's value system, and its social framework, "Graffiti New York" provides an essential history of this art form. Illustrated.

Presents photographs of graffiti or writing that started covering the city in the late sixties and early seventies.

The definitive book on New York's subway graffiti movement, "Graffiti Kings" features personal interviews with the artists and more than 275 full-color, previously unpublished photographs that bring the movement's origins to life.

Beginning in July 2009, the Fondation Cartier will be hosting an exhibition that celebrates street art. The show and the accompanying catalogue first reexamine the birth and evolution of the graffiti movement in New York in the early 1970s, and feature documentation from that time, including press clips and photographs of tags and graffiti by artists such as Lee, Seen, and Lady Pink, among others. The book then explores the explosion of creativity worldwide that followed the New York movement, especially in Paris, which became the nerve center for European graffiti in the 1980s. It juxtaposes the different aesthetics of cities like New York, Paris, London, Berlin, and Sao Paulo, highlighting styles specific to each city and the diverse practices of contemporary artists who began in the graffiti movement. There are interviews with artists who influenced the development of street art and with others, such as gallery owners, who were involved in its evolution.

"The Faith is the bible of graffiti. It forever captures the place, the time, and the writings of those of us who made it happen." —Snake I In 1973, author Norman Mailer teamed with photographer Jon Naar to produce The Faith of Graffiti, a fearless exploration of the birth of the street art movement in New York City. The book coupled Mailer's essay on the origins and importance of graffiti in modern urban culture with Naar's radiant, arresting photographs of the young graffiti writers' work. The result was a powerful, impressionistic account of artistic ferment on the streets of a troubled and changing city—and an iconic documentary record of a critical body of work now largely lost to history. This new edition of The Faith of Graffiti, the first in more than three decades, brings this vibrant work—the seminal document on the origins of street art—to contemporary readers. Photographer Jon Naar has enhanced the original with thirty-two pages of additional photographs that are new to this edition, along with an afterword in which he reflects on the project and the meaning it has taken on in the intervening decades. It stands now, as it did then, as a rich survey of a group of outsider artists and the body of work they created—and a provocative defense of a generation that questioned the bounds of authority over aesthetics.

Graffiti 365 delivers the first real insider's view into the contemporary graffiti and street-art scenes, as well as their antecedents. A fun, wide-ranging survey of the international graffiti movement, this book uses more than 600 rare, previously unpublished, or legendary images to introduce and describe important artists—from Blade to Banksy—and styles—from bubble to wild. Along the way, Graffiti 365 covers different eras, cities, legendary walls and crews, police and public responses to graffiti, and more. The author of Graffiti 365, J.SON, has been an artist and historian of the graffiti movement for decades—he started writing graffiti in 1973 and retired in 1984. Unparalleled in its breadth and depth of coverage, Graffiti 365 is a wide-angle snapshot of an entire movement.