Taking as its starting-point the ambiguous heritage left by the British Empire to its former colonies, dominions and possessions, And the Birds Began to Sing marks a new departure in the interdisciplinary study of religion and literature. Gathered under the rubric Christianity and Colonialism, essays on Brian Moore. Timothy Findley, Margaret Atwood and Marian Engel, Thomas King, Les A. Murray, David Malouf, Mudrooroo and Philip McLaren, R.A.K. Mason, Maurice Gee, Keri Hulme, Epeli Hau'ofa, J.M. Coetzee, Christopher Okigbo, Chinua Achebe, Amos Tutuola and Ngugi wa Thiong'o explore literary portrayals of the effects of British Christianity upon settler and native cultures in Northern Ireland, Canada, Australia, New Zealand and the South Pacific, and the Africas. These essays share a sense of the dominant presence of Christianity as an inherited system of religious thought and practice to be adapted to changing post-colonial conditions or to be resisted as the lingering ideology of colonial times. In the second section of the collection, Empire and World Religions, essays on Paule Marshall and George Lamming, Jean Rhys, Olive Senior and Caribbean poetry, V.S. Naipaul, Anita Desai, Kamala Markandaya, and Bharati Mukherjee interrogate literature exploring relations between the scions of British imperialism and religious traditions other than Christianity. Expressly concerned with literary embodiments of belief-systems in post-colonial cultures (particularly West African religions in the Caribbean and Hinduism on the Indian subcontinent), these essays also share a sense of Christianity as the pervasive presence of an ideological rhetoric among the economic, social and political dimensions of imperialism. In a polemical Afterword, the editor argues that modes of reading religion and literature in post-colonial cultures are characterised by a theodical preoccupation with a praxis of equity.

"Born in 1945 on the West Coast, she grew up as one of six sisters in a musical family in Christchurch. Dotty, as she is known, graduated with a MusB (Hons) in composition and worked as a freelance composer, pianist, violinist and teacher, with students relishing her unconventional approach to music education. She went on to become a musical director, adjudicator and QEII Arts Council assessor and co-founded the publishing co-operative Nota Bene. Her hundreds of compositions include collaborations with writers Witi Ihimaera, Margaret Mahy, Lauris Edmond and Fleur Adcock, and her awards include a CANZ Outstanding Achievement Award, a Suffrage Medal, and the ONZM. In the 1990s Dorothy was part of the artistic directorate for three Composing Womens festivals that showcased classical, rock, jazz, Māori and Pasifika music, and her own compositions.Dorothy Buchanans story is told with her trademark modesty and humour and rings with her lifelong passion for music."--Publisher information.

An authoritative and entertaining exploration of Australia’s distinctive birds and their unheralded role in global evolution Renowned for its gallery of unusual mammals, Australia is also a land of extraordinary birds. But unlike the mammals, the birds of Australia flew beyond the continent’s boundaries and around the globe many millions of years ago. This eye-opening book tells the dynamic but little-known story of how Australia provided the world with songbirds and parrots, among other bird groups, why Australian birds wield surprising ecological power, how Australia became a major evolutionary center, and why scientific biases have hindered recognition of these discoveries. From violent, swooping magpies to tool-making cockatoos, Australia’s birds are strikingly different from birds of other lands—often more intelligent and aggressive, often larger and longer-lived. Tim Low, a renowned biologist with a rare storytelling gift, here presents the amazing evolutionary history of Australia’s birds. The story of the birds, it turns out, is inseparable from the story of the continent itself and also the people who inhabit it.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.

From one of Granta’s Best Young British Novelists, a stunningly insightful, emotionally powerful new novel about an outsider haunted by an inescapable past: a story of loneliness and survival, guilt and loss, and the power of forgiveness. Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something—or someone—picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast. And there is also Jake’s past, hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back—a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption. This eBook edition includes a Reading Group Guide.

Listen to birds sing as you’ve never listened before, as the world-renowned birdsong expert Donald Kroodsma takes you on personal journeys of discovery and intrigue. Read stories of wrens and robins, thrushes and thrashers, warblers and whip-poor-wills, bluebirds and cardinals, and many more bird. Learn how each acquires its songs, how songs vary from bird to bird and place to place, how some birds' singing is especially beautiful or ceaseless or complex, how some do not sing at all, how the often quiet female has the last word, and why. Hear a baby wren and the author’s own daughter babble as each learns its local dialect. Listen to the mockingbird by night and by day and count how many different songs he can sing. Marvel at the exquisite harmony in the duet of a wood thrush as he uses his two voice boxes to accompany himself. Feel the extraordinary energy in the songs just before sunrise as dawn’s first light sweeps across this singing planet. Hear firsthand the unmistakable evidence that there are not one but two species of marsh wrens and two species of winter wrens in North America. Learn not only to hear but to see birds sing in the form of sonagrams, as these visual images dance across the pages while you listen to the accompanying audio. Using your trained ears and eyes, you can begin your own journeys of discovery. Listen anew to birds in your backyard and beyond, exploring the singing minds of birds as they tell all that they know. Join Kroodsma not only in identifying but in identifying with singing birds, connecting with nature’s musicians in a whole new way. Please note: this ebook includes embedded audio files. You will only be able to access these files from a device that supports embedded audio.