The Binna Binna man can be good and heal you, but if you poke fun at him or go to touch him, then you can get into big trouble - like die. The young boy from My Girragundji learns that to stay strong you must listen to the old people and be connected to the place you came from.

The story of an Aboriginal boy whose house is invaded by a Hairyman - a spirit the old people call a Quinkin. When a little green tree frog lands on his windowsill, he knows she has been sent by the ancestors to help him face his fears.

BOORI MONTY PRYOR: AUSTRALIA'S CHILDREN'S LAUREATE 2012-13 'I'm heading out on m'own, down the highway to the big city. Going south. I lost my taste for knowing the old ways. I'm wanting what's new. What's exciting, what's out there on the other side of town. That's what got me on this bus. I gotta get out, see. This is my chance. My chance to do something.' But in the city you can feel like you don't exist any more. You can't always see the sun when it comes up, or lie down safe when it sets. Your mind can go crazy, crammed with everyone else's thoughts, so you can't hear your voice on the inside. An outstandingly honest, original, eye-opening story about a young man daring to step out into a complex world. Njunjul the Sun will make you laugh, even as it grips your heart. Njunjul the Sun completes the trilogy, begun with My Girragundji and The Binna Binna Man, charting the journey of self-discovery of a young Aboriginal boy as he learns to draw strength from his traditional heritage and to find a way of living in contemporary Australia. The boy is now a young man of sixteen, and he leaves his community in Queensland to live in Sydney. Njunjul the Sun develops the innovative combination of text, photographs and illustrations that was established in My Girragundji.

Boori Monty Pryor's career path has taken him from the Aboriginal fringe camps of his birth to the runway, the catwalk, the basketball court, the DJ console, and now to performance and story-telling around the country. "You've got to try and play the whiteman's game and stay black while you're doing it," his brother used to tell him. With writer and photographer Meme McDonald, Boori leads you along the paths he has travelled, pausing to meet his family and friends, while sharing the story of his life, his pain and his hopes, with humour and compassion.

A unique picture book collaboration about having fun, sharing culture and the power of story and dance. A picture book to get the whole town dancing.

*Longlisted for the CBCA 2020 Eve Pownall Award for Information Books* *Winner of the Booksellers' Choice 2020 Children's Book of the Year Award* *Shortlisted for the 2020 NSW Premier’s Literary Awards Patricia Wrightson Prize for Children's Literature* *Shortlisted for the ABIA Book of the Year for Younger Children (ages 7-12)* *Shortlisted for the Indie Book Awards 2020: Children's* Age range 10+. The highly-anticipated junior version of Bruce Pascoe’s multi award-winning book. Bruce Pascoe has collected a swathe of literary awards for Dark Emu and now he has brought together the research and compelling first person accounts in a book for younger readers. Using the accounts of early European explorers, colonists and farmers, Bruce Pascoe compellingly argues for a reconsideration of the hunter-gatherer label for pre-colonial Aboriginal Australians. He allows the reader to see Australia as it was before Europeans arrived — a land of cultivated farming areas, productive fisheries, permanent homes, and an understanding of the environment and its natural resources that supported thriving villages across the continent. Young Dark Emu — A Truer History asks young readers to consider a different version of Australia’s history pre-European colonisation. 'Adapted for a younger readership from Pascoe's best-selling Dark Emu, this exquisitely illustrated picture book will transform how we see Australian history. Bruce uses the diaries of early explorers and colonists to show us the Australia where Aboriginal people built houses, dams and wells and farmed the land.' — Fiona Stager, The Courier Mail

Circular Facts is a collaborative endeavor between three European contemporary art organizations: Casco - Office for Art, Design and Theory, Utrecht; Objectif Exhibitions, Antwerp; and The Showroom, London, in partnership with Kunst Halle Sankt Gallen and Electric Palm Tree. The project acted as an informal think tank and a mutual support structure for the production and dissemination of artistic projects, and has culminated in an eponymous publication. The publication aims to gather a spectrum of perspectives to explore the roles of specific initiatives within their particular localities. The contributors have produced works that speak to their experiences within arts institutions, collaborative curatorial initiatives, and research networks, expanding on the relationship between institutions and artists, markets, local and international audiences, and current political climates. Contributors Mai Abu ElDahab, Binna Choi, Emily Pethick, Heejin Kim, Anthony Huberman, Will Bradley, Miren Jaio and Leire Veraga, Anna Colin and Melanie Boutaloup, and Gabi Ngcobo; and an interview with Kim Einarsson.