This study explores the prevalence of bigamy in Victorian fiction to challenge traditional understanding of the period's social and narrative conventions.

In April 2006, Mary Turner Thomson received a call that blew her life apart. The woman on the other end of the line told her that Will Jordan, Mary's husband and the father of her two younger children, had been married to her for fourteen years and they had five children together. The Bigamist is the shocking true story of how one man manipulated an intelligent, independent woman, conning her out of £200,000 and leaving her to bring up the children he claimed he could never have. It's a story we all think could never happen to us, but this shameless con man has been doing the same thing to various other women for at least 27 years, spinning a tangled web of lies and deceit to cover his tracks. How far would you go to help the man you love? How far would he go to deceive you? And what would you do when you found out it was all a lie?

Questioning a literary history that, since Ian Watt's Rise of the Novel, has privileged the courtship plot, Kelly Hager proposes an equally powerful but overlooked narrative focusing on the failed marriage. Hager maps the legal history of marriage and divorce, providing crucial background as she reveals the prevalence of the failed-marriage plot in eighteenth- and nineteenth-century British novels. Dickens's novels emerge as representative case studies in their preoccupations with the disintegration of marriage, the far-reaching and disastrous effects of the doctrine of coverture, and the comic, spectacular, and monstrous possibilities afforded by the failed-marriage plot. Setting his narratives alongside the writings of liberal reformers like John Stuart Mill and the seemingly conservative agendas of Caroline Norton, Eliza Lynn Linton, and Sarah Stickney Ellis, Hager also offers a more contextualized account of the competing strands of the Woman Question. In the course of her revisionist readings of Dickens's novels, Hager uncovers a Dickens who is neither the conservative agent of the patriarchy nor a novelistic Jeremy Bentham, and reveals that tipping the marriage plot on its head forces us to adjust our understanding of the complexities of Victorian proto-feminism.

*THE BESTSELLING RICHARD & JUDY BOOK CLUB PICK* From the award-winning author of An American Marriage comes this breathtaking tale of a sisterhood defined by a father's secret, perfect for fans of Brit Bennett and Yaa Gyasi 'MY FATHER, JAMES WITHERSPOON, IS A BIGAMIST.' SECRETS Dana and Chaurisse are sisters who have never met. The only thing binding them together is the life-changing secret of their father's double life. LIES Only one of them knows the truth about James and his hidden family. When the girls do finally meet and become friends, the fragile promise that has kept his secrets safe for so long threatens to implode. HOPE This soulful story of friendship and sisterhood paints an unforgettable picture of the messy knots that bind families together, from the author of modern classic, An American Marriage. AN OBSERVER BEST BOOK OF THE YEAR * A GUARDIAN 'BEST BOOK OF 2020 TO SUPPORT INDEPENDENT PUBLISHERS' * A BOOKSELLER SMALL PUBLISHERS 2020 TOP 20 'Do not miss this can’t-actually-stop-reading-it novel from the author of the Women's Prize for Fiction-winning An American Marriage.' Stylist

Alice McDermott's brilliant first novel 'One of our finest novelists at work today' LA TIMES 'There's no one like Alice McDermott ... her touch is light as a feather, her perceptions purely accurate' ELLE Elizabeth Connelly sits in a New York office that looks like a real editor's, but isn't quite. Employed at a vanity press, Elizabeth watches the real world - of real struggles, passion, pain and love - spin around her. Until one day, a young writer comes to her with a novel about a man who loves more than one woman at once. And suddenly Elizabeth will be awakened from her young urban professional slumber - by a man's real touch and by a real story in search of an ending. This is a luminous novel of memory, revelation and desire.

A new edition of this standard work, fully updated with four brand new chapters.

Based on a controversial court case of the 1800s, and narrated by the two wives, this is a deeply moving story as well as a delicious dark comedy about love, marriage and family.