hundreds of additions, deletions, accusations, conditions, warnings, advice and homely philosophy. The document was, Lou reflected, a fifty-year diary, all jammed onto two sheets — a garbled, illegible log of day after day of strife. This day, Lou would be disinherited for the eleventh time, and it would take him perhaps six months of impeccable behavior to regain the promise of a share in the estate. To say nothing of the daybed in the living room for Em and himself...FROM THE BOOK.

Tender stories of love, incisive essays on human greed and misery, and imaginative tales of futuristic happenings reveal Vonnegut's versatility and vision.

A Newbery Medal Winner Richard Peck's Newbery Medal-winning sequel to A Long Way from Chicago Mary Alice's childhood summers in Grandma Dowdel's sleepy Illinois town were packed with enough drama to fill the double bill of any picture show. But now she is fifteen, and faces a whole long year with Grandma, a woman well known for shaking up her neighbors-and everyone else! All Mary Alice can know for certain is this: when trying to predict how life with Grandma might turn out . . . better not. This wry, delightful sequel to the Newbery Honor Book A Long Way from Chicago has already taken its place among the classics of children's literature. "Hilarious and poignant." —Publishers Weekly, starred review A Newbery Medal Winner A New York Times Bestseller An ALA Notable Book An ALA Best Book for Young Adults A Booklist Best Book of the Year A School Library Journal Best Book of the Year

2BR02B and The Big Trip Up Yonder is two short stories by Kurt Vonnegut Jr. A famed author known for his provocative material, this book is a nice addition to the bookshelf of any fan. Courting controversy was something Kurt Vonnegut Jr never shied away from, addressing topics that make you question authority. Pick this book up today and learn more about your favorite author!

On Christmas Eve at the farm, a horse faces complications while delivering her foal and Otis the tractor must race through snowy, treacherous woods to bring back Doc Baker before it is too late.

The subject of this play—as we are told at the outset—is love, pure and complicated. Set on the stage of The North Crawford Mask & Wig Club ("the finest community theatre in central Connecticut!"), three early comic masterpieces by Kurt Vonnegut (Long Walk to Forever, Who am I This Time? and Go Back to Your Precious Wife and Son) are sewn together into a seamless evening of hilarity and humanity. With a single set, wonderful roles for seven versatile actors, and Vonnegut's singular wit and insight into human foibles, this is a smart, delightful comedy for the whole family.

In this chilling short-story by a master of the craft, Kurt Vonnegut creates a fictional world of the future where life and death are no longer matters of individual choice or destiny. The title refers to the famous quote from Hamlet, "To be or not to be...." with "0" being pronounced as "naught." It also refers to the eternal dilemma of life and death that face every human being at some point in their lives.Written in 1962 it is set in some unspecified time in the future, when earth has become a Utopia. The population is under control, there is no poverty, suffering or even natural death. Man has conquered all. It's common for humans to live for two centuries or more. Death happens only when someone requests it. 2BR02B in the story is the telephone number that volunteers must call when they are ready for assisted suicide. It belongs to the Federal Bureau of Termination which decides that for every child born, one person must volunteer to die. However, all is not perfect in this paradise - human beings still retain a spark of humanity and yearn for freedom.When the story opens, Edward Wehling, a youngish father-to-be is waiting for his wife to give birth. What follows is both spine-chilling and eerie. It makes you introspect about the future of humankind, whether the earth can sustain itself at the pace at which population is growing and about the ethics of concepts like assisted suicide. The reader pauses to wonder whether greater common good can replace love and the individual.2BR02B has memorable characters like the nameless two-hundred-year-old painter, the genial Dr Hitz who created the first population control gas-chamber and Leora Duncan a gas-chamber hostess.Apart from these, the story explores Vonnegut's favorite anti-establishment ideas, where the government is seen as the enemy of personal freedom. Art in the future, according to Vonnegut, will become dull, commercialized and prescribed by the state. Creativity and individual expression will die out along with other freedoms. Technology and scientific advancements will render simple human concepts of compassion and love redundant.Though the story is a trifle dated (it refers to the year 2000 as the year in which population control systems were first imposed, and the earth had run out of food and water) it is an interesting one that appeals to readers of all ages. In this chilling short-story by a master of the craft, Kurt Vonnegut creates a fictional world of the future where life and death are no longer matters of individual choice or destiny. The title refers to the famous quote from Hamlet, "To be or not to be...." with "0" being pronounced as "naught." It also refers to the eternal dilemma of life and death that face every human being at some point in their lives.Written in 1962 it is set in some unspecified time in the future, when earth has become a Utopia. The population is under control, there is no poverty, suffering or even natural death. Man has conquered all. It's common for humans to live for two centuries or more. Death happens only when someone requests it. 2BR02B in the story is the telephone number that volunteers must call when they are ready for assisted suicide. It belongs to the Federal Bureau of Termination which decides that for every child born, one person must volunteer to die. However, all is not perfect in this paradise - human beings still retain a spark of humanity and yearn for freedom.When the story opens, Edward Wehling, a youngish father-to-be is waiting for his wife to give birth. What follows is both spine-chilling and eerie. It makes you introspect about the future of humankind, whether the earth can sustain itself at the pace at which population is growing and about the ethics of concepts like assisted suicide. The reader pauses to wonder whether greater common good can replace love and the individual.