SpongeBob unmasked turns out to be the scariest undersea creature at the Halloween party.

It's Halloween, and SpongeBob SquarePants is determined to scare everyone this year. All he has to do is dress up like the Flying Dutchman. But SpongeBob doesn't realize just how scary he can look. Join the gang from Bikini Bottom in this Spooky Halloween tale!

Tom Little's Hallowe'en prank almost leads to the discovery of the tiny people by the Bigg family.

It's the spookiest night of the year, Halloween! And SpongeBob SquarePants is determined to scare everyone. All he has to do is dress up like the Flying Dutchman. But SpongeBob doesn't realize just how frightening he can be!

After Bart King interviewed hundreds of the wisest guys and smartest alecks for The Big Book of Boy Stuff, something awesome happened: the book became a classic! Hailed by critics and kids alike, it has sold hundreds of thousands of copies, and even won awards. In this updated and redesigned tenth anniversary edition, hijinks and hilarity are still front and center. Within these pages, boys can find a myriad of things to do, things to laugh at, and things they didn’t know. Bart King, the veteran of many water balloon wars, taught middle school for many years. He’s written other cool books, including The Big Book of Superheroes, The Pocket Guide to Girl Stuff, and The Big Book of Gross Stuff. Visit his website at www.bartking.net.

Bringing together international perspectives on the figure of the “monster” in performance, this edited collection builds on discussions in the fields of posthumanism, bioethics, and performance studies. The collection aims to redefine “monstrosity” to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant, whether by race, gender, sexuality, nationality, immigration status, or physical or psychological extraordinariness. The book explores themes of race, white supremacy, and migration with the aim of investigating how the figure of the monster has been used to explore representations of race and identity. To these, we add discussions on gender, queer identities, and how the figure of the “monster” has been used to explore the gendered body to finally understand how monstrosity intersects with contemporary issues of technology and the natural world. Navigating the fields of disability studies, performance-centered monster studies, and representation in performance, editors Michael M. Chemers and Analola Santana have brought together perspectives on the figure of the “monster” from across a variety of fields that intersect with performance studies. This book is essential reading for Theatre and Performance students of all levels as well as scholars. It will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.

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