The Decameron, also called Prince Galehaut, is a 14th-century medieval allegory by Giovanni Boccaccio, told as a frame story encompassing 100 tales by ten young people. The book's primary title exemplifies Boccaccio's fondness for Greek philology: Decameron combines two Greek words, Greek: dÈka ("ten") and (Greek: hemÈra ("day"), to form a term that means "ten-day event". Ten days is the time period in which the characters of the frame story tell their tales.

A group of escapees from plague-ridden Florence pass the time by telling tales of romance in this landmark of medieval literature. Features 25 of the original 100 stories. J. M. Rigg translation.

THE DECAMERON by Boccaccio Giovanni THE INDUCTION OF THE AUTHOR TO THE FOLLOWING DISCOURSES Gracious Ladies, so often as I consider with my selfe, and observe respectively, how naturally you are enclined to compassion; as many times doe I acknowledge, that this present worke of mine, will (in your judgement) appeare to have but a harsh and offensive beginning, in regard of the mournfull remembrance it beareth at the verie entrance of the last Pestilentiall mortality, universally hurtfull to all that beheld it, or otherwise came to knowledge of it. But for all that, I desire it may not be so dreadfull to you, to hinder your further proceeding in reading, as if none were to looke thereon, but with sighes and teares. For, I could rather wish, that so fearefull a beginning, should seeme but as an high and steepy hil appeares to them, that attempt to travell farre on foote, and ascending the same with some difficulty, come afterward to walk upon a goodly even plaine, which causeth the more contentment in them, because the attayning thereto was hard and painfull. For even as pleasures are cut off by griefe and anguish; so sorrowes cease by joyes most sweete and happie arriving. After this briefe mollestation; briefe I say, because it is contained within small compasse of Writing; immediately followeth the most sweete and pleasant taste of pleasure, whereof (before) I made promise to you. Which (peradventure) could not bee expected by such a beginning, if promise stood not thereunto engaged. And indeed, if I could well have conveyed you to the center of my desire, by any other way, then so rude and rocky a passage as this is, I would gladly have done it. But because without this Narration, we could not demonstrate the occasion how and wherefore the matters hapned, which you shall reade in the ensuing Discourses: I must set them downe (even as constrained thereto by meere necessity) in writing after this manner. The yeare of our blessed Saviours incarnation, 1348, that memorable mortality happened in the excellent City, farre beyond all the rest in Italy; which plague, by operation of the superiour bodies, or rather for our enormous iniquities, by the just anger of God was sent upon us mortals. Some few yeeres before, it tooke beginning in the Easterne partes, sweeping thence an innumerable quantity of living soules: extending it selfe afterward from place to place Westward, until it seized on the said City. Where neither humane skill or providence, could use any prevention, notwithstanding it was cleansed of many annoyances, by diligent Officers thereto deputed: besides prohibition of all sickly persons enterance, and all possible provision dayly used for conservation of such as were in health, with incessant prayers and supplications of devoute people, for the asswaging of so dangerous a sicknesse. About the beginning of the yeare, it also began in very strange manner, as appeared by divers admirable effects; yet not as it had done in the East Countries, where Lord or Lady being touched therewith, manifest signes of inevitable death followed thereon, by bleeding at the nose. But here it began with yong children, male and female, either under the armepits, or in the groine by certaine swellings, in some to the bignesse of an Apple, in others like an Egge, and so in divers greater or lesser, which (in their vulgar Language) they termed to be a Botch or Byle. In very short time after, those two infected parts were growne mortiferous, and would disperse abroad indifferently, to all parts of the body; whereupon, such was the quality of the disease, to shew it selfe by blacke or blew spottes, which would appeare on the armes of many, others on their thighes, and every part else of the body: in some great and few, in others small and thicke.

Son of a merchant, Boccaccio di Chellino di Buonaiuto, of Certaldo in Val d'Elsa, a little town about midway between Empoli and Siena, but within the Florentine "contado," Gio-vanni Boccaccio was born, most probably at Paris, in the year 1313. His mother, at any rate, was a Frenchwoman, whom his father seduced during a sojourn at Paris, and afterwards deserted. So much as this Boccaccio has himself told us, under a transparent veil of allegory, in his Ameto. Of his mother we would fain know more, for his wit has in it a quality, especially noticeable in the Tenth Novel of the Sixth Day of the Decameron, which marks him out as the forerunner of Rabelais, and prompts us to ask how much more his genius may have owed to his French ancestry. His father was of sufficient standing in Florence to be chosen Prior in 1321; but this brief term of office—but two months—was his last, as well as his first experience of public life. Of Boccaccio's early years we know nothing more than that his first preceptor was the Florentine grammarian, Giovanni da Strada, father of the poet Zanobi da Strada, and that, when he was about ten years old, he was bound apprentice to a merchant, with whom he spent the next six years at Paris, whence he returned to Florence with an inveterate repugnance to commerce. —DETAILED CONTENTS— INTRODUCTION PROEM - FIRST DAY - NOVEL I. - Ser Ciappelletto cheats a holy friar by a false confession, and dies; and, having lived as a very bad man, is, on his death, reputed a saint, and called San Ciappelletto. NOVEL II. - Abraham, a Jew, at the instance of Jehannot de Chevigny, goes to the court of Rome, and having marked the evil life of clergy, returns to Paris, and becomes a Christian. NOVEL III. - Melchisedech, a Jew, by a story of three rings averts a danger with which he was menaced by Saladin. NOVEL IV. - A monk lapses into a sin meriting the most severe punishment, justly censures the same fault in his abbot, and thus evades the penalty. NOVEL V. - The Marchioness of Monferrato by a banquet of hens seasoned with wit checks the mad passion of the King of France. NOVEL VI. - A worthy man by an apt saying puts to shame the wicked hypocrisy of the religious. NOVEL VII. - Bergamino, with a story of Primasso and the Abbot of Cluny, finely censures a sudden access of avarice in Messer Cane della Scala. NOVEL VIII. - Guglielmo Borsiere by a neat retort sharply censures avarice in Messer Ermino de' Grimaldi. NOVEL IX. - The censure of a Gascon lady converts the King of Cyprus from a churlish to an honourable temper. NOVEL X. - Master Alberto da Bologna honourably puts to shame a lady who sought occasion to put him to shame in that he was in love with her. - SECOND DAY - NOVEL I. - Martellino pretends to be a paralytic, and makes it appear as if he were cured by being placed upon the body of St. Arrigo. His trick is detected; he is beaten and arrested, and is in peril of hanging, but finally escapes. NOVEL II. - Rinaldo d'Asti is robbed, arrives at Castel Guglielmo, and is entertained by a widow lady; his property is restored to him, and he returns home safe and sound. NOVEL III. - Three young men squander their substance and are reduced to poverty. Their nephew, returning home a desperate man, falls in with an abbot, in whom he discovers the daughter of the King of England. She marries him, and he retrieves the losses and re-establishes the fortune of his uncles. NOVEL IV. - Landolfo Ruffolo is reduced to poverty, turns corsair, is captured by Genoese, is shipwrecked, escapes on a chest full of jewels, and, being cast ashore at Corfu, is hospitably entertained by a woman, and returns home wealthy. NOVEL V. - Andreuccio da Perugia comes to Naples to buy horses, meets with three serious adventures in one night, comes safe out of them all, and returns home with a ruby.

"The Decameron" by Giovanni Boccaccio is a collection of 100 tales told by a group of young people sheltering in a villa outside Florence during the Black Death. As the plague ravages the city, ten noble men and women escape to the countryside and entertain themselves by telling stories over a period of ten days. Each day, one member of the group is appointed as the "king" or "queen" of the day, and they choose a theme for the stories to be told. The tales cover a wide range of subjects, including love, trickery, wit, and morality, and they often feature characters from various social classes and backgrounds. Boccaccio's work is celebrated for its vivid storytelling, wit, and humor, as well as its frank and often bawdy depiction of human nature. Through the diverse tales told by the characters, "The Decameron" provides a rich tapestry of medieval Italian life, while also offering timeless insights into the complexities of human behavior and relationships.

Excerpt from The Bibliographical Decameron, Vol. 1: Or Ten Days Pleasant Discourse Upon Illuminated Manuscripts, and Subjects Connected With Early Engraving, Typography, and Bibliography Tive of benefit to the student: while the well-stored library of lysandeb has served as a point to satisfy the doubts, or to promote the researches, of either who chose to consult it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.