It is difficult to underestimate the significance of the story of the Rich Man and Lazarus in Luke 16:19-31 within the biblical tradition. Although hell occupies a prominent position in popular Christianrhetoric today, it plays a relatively minor role in the Christian canon. The most important biblical texts that explicitly describe the fate of the dead are in the Synoptic Gospels. Yet among these passages, only the Lukan tradition is intent on explicitly describing the abode of the dead; it is the only biblical tour of hell. Hauge examines the story of the Rich Man and Lazarus in Luke 16:19-31, uniquely the only 'parable' that is set within a supernatural context. The parables characteristically feature concrete realities of first-century Mediterranean life, but the majority of Luke 16:19-31 is narrated from the perspective of the tormented dead. This volume demonstrates that the distinctive features of the story of the Rich Man and Lazarus are the result of a strategic imitation, creative transformation, and Christian transvaluation of the descent of Odysseus into the house of hades in Odyssey Book 11, the literary model par excellence of postmortem revelation in antiquity.

From the ancient Book of the Dead to Dante's Divine Comedy, the living have attempted to describe the world of the dead. Tours of Hell focuses on one form of that attempt: the tours of hell found in Jewish and Christian apocalypses of late antiquity and the early Middle Ages. Himmelfarb examines seventeen texts, preserved in five languages and spanning a thousand years of human history. These include Hebrew texts and Christian texts in Greek, Latin, Ethiopic, and Coptic, such as the Apocalypse of Peter and the Apocalypse of Paul family. Muslim texts, medieval visions, and other related literatures are also discussed. Himmelfarb details the common elements of the tour tradition, including such features as a hero or heroine figure, a heavenly revealer, and descriptions of the punishments awaiting those who arrive in hell. She convincingly refutes the accepted nineteenth-century critical view of the earliest of these tours, the Apocalypse of Peter, as a Christian form of an "Orphic-Pythagorean" descent to Hades. She place the work instead on the family tree of the tour apocalypse, a genre she traces back to the third century B.C.E. Book of the Watchers (1 Enoch 1-36). Linking the Apocalypse of Peter with later Jewish tours of hell, Himmelfarb reveals significant sin-and-punishment combinations that seem to point to a common source, which she theorizes to be a lost Jewish Tour work of the late Second Temple period. Rich and fascinating texts seldom before brought to light are treated in detail in this pioneering study. A comprehensive work on the apocalyptic tradition, Tours of Hell will be of great interest to scholars and students of religion, history, ancient and medieval literature, and Dante studies.

A New York Times best-selling scholar's illuminating exploration of the earliest Christian narrated journeys to heaven and hell “[An] illuminating deep dive . . . An edifying origin story for contemporary Christian conceptions of the afterlife.”—Publishers Weekly From classics such as the Odyssey and the Aeneid to fifth-century Christian apocrypha, narratives that described guided tours of the afterlife played a major role in shaping ancient notions of morality and ethics. In this new account, acclaimed author Bart Ehrman contextualizes early Christian narratives of heaven and hell within the broader intellectual and cultural worlds from which they emerged. He examines how fundamental social experiences of the early Christian communities molded the conceptions of the afterlife that eventuated into the accepted doctrines of heaven, hell, and purgatory. Drawing on Greek and Roman epic poetry, early Jewish writings such as the Book of Watchers, and apocryphal Christian stories including the Acts of Thomas, the Gospel of Nicodemus, and the Apocalypse of Peter, Ehrman demonstrates that ancient tours of the afterlife promoted reflection on matters of ethics, faith, ambition, and life’s meaning, the fruit of which has been codified into Christian belief today.

All You Want to Know About Hell breaks down the three most popular views on hell and tells us what the Bible really says about this terrifying and mystifying place. It is an undeniable fact that the very concept of hell is shrouded in mystery. We know what books and movies tell us hell is like, but we're left with so many questions. Is hell simply a place where sinners are sent to suffer for their sins, or is it more than that? How could a loving God send anyone to hell? Does the Bible give us a clear and consistent picture of hell? What does the existence of hell tell us about God's character? Steve Gregg--author of Revelation: Four Views--will take you on a tour of the three most popular views on hell and walk you through a clear explanation of what Scripture really says. From the "traditional" view of hell as a place of eternal torment to the early Christian view that hell is a place of suffering intended to purge sin and to bring about repentance, no other book gives such in-depth biblical insight into the truths about hell that are hidden in all the hype. All You Want to Know About Hell is an accessible and interesting read for laypeople, pastors, and scholars alike.

Randy Klassen studies every significant reference to hell in the Bible, seeking an interpretation that both takes the Bible seriously as the very Word of God and harmonizes with the character of the God and "Abba" revealed through Jesus Christ.

Here you'll find a frank debate between Edward William Fudge and Robert A. Peterson who present strong theological and scriptural evidence for two opposing views of the nature of hell.

Addressing a variety of views on hell, the Bible, and the character of God, offers an eloquent response to the recent media storm surrounding questions of eternal destiny.