Mystical dreams and grand inventions create a wicked examination of America in a time of reckless Republicans and the fevered tweets of their unsound President. It is a tale that exposes our most visceral horrors and suspicions of the current political miasma. It is a warning, an adventure and a metaphor--yet, just may be a hint at better days to come.

As technology has developed, computer hackers have become increasingly sophisticated, mastering the ability to hack into even the most impenetrable systems. The best way to secure a system is to understand the tools hackers use and know how to circumvent them. Defense against the Black Arts: How Hackers Do What They Do and How to Protect against It provides hands-on instruction to a host of techniques used to hack into a variety of systems. Exposing hacker methodology with concrete examples, this book shows you how to outwit computer predators at their own game. Among the many things you’ll learn: How to get into a Windows operating system without having the username or password Vulnerabilities associated with passwords and how to keep them out of the hands of hackers How hackers use the techniques of computer forensic examiners to wreak havoc on individuals and companies Hiding one’s IP address to avoid detection Manipulating data to and from a web page or application for nefarious reasons How to find virtually anything on the internet How hackers research the targets they plan to attack How network defenders collect traffic across the wire to indentify intrusions Using Metasploit to attack weaknesses in systems that are unpatched or have poorly implemented security measures The book profiles a variety of attack tools and examines how Facebook and other sites can be used to conduct social networking attacks. It also covers techniques utilized by hackers to attack modern operating systems, such as Windows 7, Windows Vista, and Mac OS X. The author explores a number of techniques that hackers can use to exploit physical access, network access, and wireless vectors. Using screenshots to clarify procedures, this practical manual uses step-by-step examples and relevant analogies to facilitate understanding, giving you an insider’s view of the secrets of hackers.

English translations of two important fifteenth-century writings on witchcraft by Johannes Hartlieb and Ulrich Molitoris. Introduction discusses the writings, the authors, their historical environments, the ways they used sources, and their influence on the development of ideas about witchcraft.

"This complete self-study course in modern Wicca is a treasured classic - an essential and trusted guide that belongs in every witch's library."---Back cover

Magic and conjuring inhabit the boundaries and the borderlands of performance. The conjuror’s act of demonstrating the apparently impossible, the uncanny, the marvellous, or the grotesque challenges the spectator’s sense of reality. It brings him or her up against their own assumptions about how the world works; at its most extreme, it asks the spectator to re-evaluate his or her sense of the limits of the human. Performing Dark Arts is an exploration of the paradox of the conjuror, the actor who pretends to be a magician. It aims to illuminate the history of conjuring by examining it in the context of performance studies, and to throw light on aspects of performance studies by testing them against the art of conjuring. The book examines not only the performances of individual magicians from Dedi to David Blaine, but also the broader cultural contexts in which their performances were received, and the meanings which they have attracted.

The Book of Ceremonial Magic - Arthur Edward Waite - The Book of Ceremonial Magic by Arthur Edward Waite was originally called The Book of Black Magic and of Pacts. It was first published in a limited run in 1898, and distributed more widely under the title The Book of Ceremonial Magic in 1910Writing in the late 19th century, Waite had studiously researched many obscure tenets of magic. Much of this book concerns the obscure occult tomes, which the author condenses and presents to readers in this single volume. Waite's studies uncover a variety of knowledge; there are thousands of spells and rituals that date back to Medieval times and have a theological basis. Many exist to ward off devils, witches or other evil phenomena, while others seek to conjure beneficent spirits. Another intriguing aspect of ceremonial magic is the ability to form pacts with supernatural beings. These rituals in themselves act to compel supernatural entities to assist a human being; none of them involve offering one's soul. However, many require one or more materials and ingredients to begin - grave dust or a certain plant for instance. Waite disapproves of those who reprint and sell the older magical grimoires for two principle reasons. Firstly the quality of the English translations is low, often proscribing completely different instructions and requisites for a given ritual than was given in the original source text. Secondly these books make no distinction between 'white' or 'black' magic; such lack of organization makes it difficult for the modern reader to distinguish the practices. Over 150 symbols, seals, insignia, charts and other illustrations populate this text, each offering insight into how the magician correctly undertakes his tasks. Waite includes many scripts that the performer of magic must read out loud as he attempts to conjure, summon or communicate with forces from other planes of existence.

When Neville Goddard had no money in the time of the great depression in America in 1933, but he wanted to travel to Barbados where he was born, he was told by his mentor Abdullah that he was already in Barbados. Abdullah knew about the power that was before money which is the creative power to create your every desire known as "the law" or "the law of attraction," and that was what he used to get Neville's attention of how to operate this power. This black mystic from Ethiopia taught that the bible addresses the human mind and must be interpreted psychologically that it is not literal neither is it secular history for the bible was written symbolically. This is the truth that would set you free by discovering your true identity and spirituality. This is the message Abdullah wanted to convey to all of humanity by teaching Neville Goddard how to discover his true identity. Abdullah was a lecturer and mentor to Neville and many others, but no one seem to appreciate Neville Goddard's mentor for his contribution to humanity instead they tend to elevate the work of Neville Goddard and forget about THE BLACK MYSTIC FROM ETHIOPIA, BY THE NAME OF ABDULLAH.