The book treats the Protestant cultures of northern Europe, particularly England, examining biblical commentaries, plays, poems, sermons, and treatises, as well as the often startling negotiations between these texts and other cultural discourses. In Shuger's hands, these biblical materials serve to illuminate, and often radically reinterpret, the dominant issues in contemporary Renaissance studies: gender, the body, colonialism, subjectivity, desire, law, and history. Her work forcefully demonstrates the cultural centrality of Renaissance religion.

The Bible has inspired scholarly and artistic achievements all over the world since Late Antiquity. The largest and most diverse collection of Bibles, in both their calligraphic and illuminative expression, is archived at the Vatican Library. The scholars who contributed to this volume were given unprecedented access to the Vatican Library archive and, while focusing on the written and illustrative themes of the Bible, have created the most comprehensive chronology to date. This volume is a journey led by major international scholars through the Bible's development from Late Antiquity to the Renaissance era, allowing all readers of the Bible to marvel at the wisdom of the writings and beauty of the illustrations, many available here for the first time.

Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.

From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.

This book is a study of the multiplicity of ways the Bible was used by different groups during the Middle Ages. They explore different aspects of Christian Biblical Study in the face of the challenges of religious pluralism in the medieval and early-modern periods.

A distinguished group of authors here illuminate a broad spectrum of themes in the history of biblical interpretation. Originally published in 1990, these essays take as their common ground the thesis that the intellectual and religious life of the sixteenth century cannot be understood without attention to the preoccupation of sixteenth-century humanists and theologians with the interpretation of the Bible. Topics explored include Jewish exegesis and problems of Old Testament interpretation and the relationship between the Bible and social, political, and institutional history. Contributors. Irena Backus, Guy Bedouelle, Kalman P. Bland, Kenneth G. Hagen, Scott H. Hagen, Scott H. Hendrix, R. Gerald Hobbs, Jean-Claude Margolin, H. C. Erik Midelfort, Richard A. Muller, John B. Payne, David C. Steinmetz

It is equally true that the Reformation was inspired and defined by the Bible and that the Bible was reshaped by the intellectual, political, and cultural forces of the Reformation. In this book, a distinguished scholar--whose contributions to the field of religious studies have won him wide renown--explores this relationship, examining both the role of the Bible in the Reformation and the effect of the Reformation on the text of the Bible, Biblical studies, preaching and exegesis, and European culture in general. Jaroslav Pelikan begins by discussing the philological foundations of the "reformation" of the Biblical text, focusing on the revival of Greek and Hebrew language study and the important contributions to textual criticism by humanist scholars. He then examines the changing patterns of interpretation and communication of the Biblical text, the proliferation of vernacular versions of scripture and their impact on various national cultures, and the impact of the Reformation Bible on art, music, and literature of the period. The book is richly illustrated with examples of early printed editions of Bibles, commentaries, sermons, vernacular translations, and other works with Biblical themes, all of which are identified and discussed. The book serves as the catalog for a major exhibition of early Bibles and Reformation texts that has been organized at Bridwell Library, Perkins School of Theology, Southern Methodist University, and will also be shown at the Yale Center for British Art, the Houghton Library and the Widener Library at Harvard University, and the Rare Book and Manuscript Library at Columbia University.