Arriving in the remote Arnhem Land Aboriginal settlement of Oenpelli (Gunbalanya) in 1925, Alf and Mary Dyer aimed to bring Christ to a former buffalo shooting camp and an Aboriginal population many whites considered difficult to control. The Bible in Buffalo Country: Oenpelli Mission 1925–1931 represents a snapshot of the tumultuous first six years of the Church Missionary Society’s mission at Oenpelli and the superintendency of Alfred Dyer between 1925 and 1931. Drawing together documentary and photographic sources with local community memory, a story emerges of miscommunication, sickness, constant logistical issues, and an Aboriginal community choosing when and how to engage with the newcomers to their land. This book provides a fascinating and detailed record of the primary sources of the mission, placed alongside the interpretation and insight of local Traditional Owners. Its contents include the historical and archaeological context of the primary source material, the vivid mission reports and correspondence, along with stunning photographs of the mission and relevant maps, and finally the oral history of Esther Manakgu, presenting Aboriginal memory of this complex era. The Bible in Buffalo Country emerged from community desire for access to the source documents of their own history and for their story to be known by the broader Australian public. It is intended for the benefit of communities in western Arnhem Land and is also a rich resource for historians of Aboriginal history (and other scholars in relevant disciplines).

A Bridge Between is the first account of the Benedictine women who worked at New Norcia and the first book-length exploration of twentieth-century life in the Western Australian mission town. From the founding of a grand school intended for ‘nativas’, through links to Mexico and Paraguay then Ireland, India and Belgium, as well as to their house in the Kimberley, and a network of villages near Burgos in the north of Spain, this is a complex international history. A Bridge Between gathers a powerful, fragmented story from the margins of the archive, recalling the Aboriginal women who joined the community in the 1950s and the compelling reunion of missionaries and former students in 2001. By tracing the all-but-forgotten story of the community of Benedictine women who were central to the experience of the mission for many Aboriginal families in the twentieth century, this book lays a foundation for further work. This sensitive account of Spanish Benedictine women at an Aboriginal mission in Western Australia is poignant and disturbing. Notable for its ecumenical spirit, depth of research and deep engagement with the subject, A Bridge Between is a model of how religious history, in its broader bearings, can be written. — Graeme Davison, Monash University With great insight and care, A Bridge Between presents a sympathetic but not uncritical history of the lives of individuals who have often been invisible. The story of the nuns at New Norcia is a timely contribution to Australia’s religious history. Given the findings of the Royal Commission, it will be widely read both within and beyond the academy. History is, here, a spiritual discipline, and an exercise in hope and reconciliation. — Laura Rademaker, The Australian National University

As beef and cattle production progressed in nineteenth-century America, the cow emerged as the nation’s representative food animal and earned a culturally prominent role in the literature of the day. In Cattle Country Kathryn Cornell Dolan examines the role cattle played in narratives throughout the century to show how the struggles within U.S. food culture mapped onto society’s broader struggles with colonization, environmentalism, U.S. identity, ethnicity, and industrialization. Dolan examines diverse texts from Native American, African American, Mexican American, and white authors that showcase the zeitgeist of anxiety surrounding U.S. identity as cattle gradually became an industrialized food source, altering the country’s culture while exacting a high cost to humans, animals, and the land. From Henry David Thoreau’s descriptions of indigenous cuisines as a challenge to the rising monoculture, to Washington Irving’s travel narratives that foreshadow cattle replacing American bison in the West, to María Amparo Ruiz de Burton’s use of cattle to connect race and imperialism in her work, authors’ preoccupations with cattle underscored their concern for resource depletion, habitat destruction, and the wasteful overproduction of a single breed of livestock. Cattle Country offers a window into the ways authors worked to negotiate the consequences of the development of this food culture and, by excavating the history of U.S. settler colonialism through the figure of cattle, sheds new ecocritical light on nineteenth-century literature.