The book comprises two parts part I deals with the socio-historical aspects of family of the Vedic Seer Bharadvaja and Part II discusses the significant contribution the family has made to the various fields of Indian culture. Part I is divided into five chapters each comprising more than one section. The first chapter considers the textual evidences of the Vedic Samhitas the Brahmanas the Upanisads and the Ramayana in regard to the Bharadvajas. the second chapter traces the birth and parentage of Bharadvaja the progenitor and his relation with the gods, seers, kings and other persons.

This is the first book dealing with the foreign influence on ancient India. Discusses the foreign invasions of India by the Achaemenians, Greeks, Sakas, Kushans, Sassanians, Pahlavas and the Hunas, and also the peaceful impact of the Romans on India. The book advances a theory that ancient India never provided any casus belli to the foreigners to attack her. It was India's weakness and an implied confidence in future victories that kept the invaders coming to India one after another. But these foreigners have also influenced India in the field of administration, religion, philosophy, astronomy, language, script, trade and commerce, and above all the way of life of the people of India, which is the main subject of the book. This book suggests that after the partition of this sub-continent, the name `India' which continued to be used for this country is a misnomer when the river INDUS after which the country was so named, went to Pakistan. This book also finds is real nature the matrimonial alliance between Seleucus and Chandra Gupta Maurya and gives possible solutions to some riddles of Indian history. The origin of the name of KIDAR has also been discovered for the first time. The book tells us in a poetic language how ‘the golden age of the Guptas was converted into a molten age of destruction and confusion’ by the Hunas. What remained of our culture after so much turmoil and changes is before us.

The Vedic-Puranic literature as well as archaeological, geological, historical, linguistic, and literary accounts have been reviewed to establish the various cultures that evolved in ancient India from about 3500 BCE to the Mahabharata War (1450 BCE). The book describes various misconceptions, e.g., the myth about an Aryan invasion. The following markers are used to establish the dates and geographical locations of various cultures: (i) The rise in sea levels due to melting of land-based snow after the last Ice Age. (ii) Migration of the Dravidian people from the lost continent of Kumari Kandam that submerged under the Indian Ocean. (iii) The dates for the start of farming, use of kiln-baked bricks, domestication of horses, and metal working in the Indian subcontinent. (iv) The dates when Sarasvati River dried up and the Mahabharata War occurred. The book notes that asva-containing or rath-containing names could not have existed before horses were domesticated or chariots were in use. The book also notes that Mathura Krsna is different from Dwarka Krsna; the two are separated by more then 1000 years. During Mathura Krsna’s time, conflicts were settled by hand-to-hand combat or with the use of a mace. In contrast, during Dwarka Krsna’s time, metal arms were used.

The present English translation is based on the original German work written by Professor Winternitz and has been revised in the light of further researches on the subject by different scholars in India and elsewhere. Vol. I relates to Veda (the four Samhitas), Brahmanas, Aranyakas, Upanisads, Vedangas and the Literature of the ritual. The Ramayana and the Mahabharata. Puranic literature and Tantra. Vol. II deals with the Buddhist Literature of India and the Jaina Literature. Vol. III covers Classical Sanskrit Literature comprising ornate Poetry, Drama, Narrative Literature, Grammar, Lexiocography, Philosophy, Dharma-Sastra, Artha-Sastra, Architecture, Music, Kama-Sutra, Ayurveda, Astronomy, Astrology and Mathematics.

Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem’s narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem’s narration as well as its originator.

Ayurveda, the ancient art of healing, has been practiced in India for more than two thousand years and survives today as a living medical tradition whose principles are at the heart of many "alternative" therapies now used in the West. This "science of longevity" has parallels with Buddhist thought, and advocates a life of moderation through which the three humors of the body will be brought into balance. The writings selected for this volume are taken from Sanskrit medical texts written by the first Ayurvedic physicians, who lived between the fifth century b.c. and the fourteenth century a.d. Here readers will find wide-ranging and fascinating advice on the benefits of garlic therapy, prayers for protection against malevolent disease deities, surgical techniques, exercise regimens, the treatment of poisons, the interpretation of dreams, and more.