Amidst the turbulence and gaiety existing in American society during the last decade of the 20th century, the paths of two young men and a young woman merge. Each is inexorably drawn to a midnight rendezvous on a lonely road in northern Kentucky, and ghastly and fatal consequences result.

In 2015, Bob Dylan said, "I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them, back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that's fair game, that everything belongs to everyone." In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for generations of American musicians, lyricists, and folklorists. Those events, which took place from the early nineteenth to the mid-twentieth centuries, often involved tragic occurrences: murders, sometimes resulting from love affairs gone wrong; desperate acts borne out of poverty and unbearable working conditions; and calamities such as railroad crashes, shipwrecks, and natural disasters. All of Polenberg’s account of the songs in the book are grounded in historical fact and illuminate the social history of the times. Reading these tales of sorrow, misfortune, and regret puts us in touch with the dark but terribly familiar side of American history. On Christmas 1895 in St. Louis, an African American man named Lee Shelton, whose nickname was "Stack Lee," shot and killed William Lyons in a dispute over seventy-five cents and a hat. Shelton was sent to prison until 1911, committed another murder upon his release, and died in a prison hospital in 1912. Even during his lifetime, songs were being written about Shelton, and eventually 450 versions of his story would be recorded. As the song—you may know Shelton as Stagolee or Stagger Lee—was shared and adapted, the emotions of the time were preserved, but the fact that the songs described real people, real lives, often fell by the wayside. Polenberg returns us to the men and women who, in song, became legends. The lyrics serve as valuable historical sources, providing important information about what had happened, why, and what it all meant. More important, they reflect the character of American life and the pathos elicited by the musical memory of these common and troubled lives.

A fascinating pop-history dive into the stories behind the incredibly impactful crimes—both infamous and little-known—that have shaped the legal system as we know it. When asked why true crime is so in vogue, Pulitzer Prize–winning journalist and New York Times bestselling author Amber Hunt always has the same answer: it’s no hotter than it’s always been. Crimes and trials have captured American consciousness since the Salem Witch Trials in the seventeenth century. And these cases over the centuries have fundamentally changed our society and shifted our legal system, resulting in the laws we have today and setting the stage for new rights and protections. From the first recorded murder trial led by the first legal dream team, to one of the earliest uses of DNA, these cases will fascinate.

From the Hoosier National Forest to the banks of Lake Michigan, Indiana's landscape is dotted with urban and rural cemeteries teeming with restless spirits. Crown Hill Cemetery is the final resting place of many notable Hoosiers, as well as one rather infamous soul, but it may also serve as a playground for the spectral children of Community Hill. Tales of mournful spirits can be found at Stepp Cemetery and Highland Lawn, while other areas such as Forest Hill and the cemeteries of LaPorte have far darker stories to tell. Join tour guide and paranormal investigator Ashley Hood on a journey through Indiana's ghostly burial grounds.

The year was 1896, and nineteenth-century journalists called the murder of Pearl Bryan the "Crime of the Century." From the day Pearl's headless body was found to the execution of her murderers on the gallows, the details of the murder fascinated newspaper reporters and ballad composers alike. Often glossing over the facts of the case, newspaper accounts presented the events according to stereotypes that were remarkably similar to those found in well-known murdered-girl ballads, such as "Pretty Polly," "Omie Wise," and "The Jealous Lover." Events, characters, motivations, and plot were presented through this framework: the simple country girl led astray by a clever degenerate. Nearly all variants of the Pearl Bryan ballad point the same moral: Young ladies now take warning Young men are so unjust, It may be your best lover But you know not whom to trust. Representations of this formula appear in such diverse genres as the ballad "Poor Ellen Smith" and the novel An American Tragedy. As Anne Cohen demonstrates, both newspaper accounts and ballads tell the Pearl Bryan story from the same moral stance, express the same interpretation of character, and are interested in the same details. Both distort facts to accommodate a shared pattern of storytelling. This pattern consists of a plot formula—the murdered-girl formula—that is accompanied by stereotyped scenes, actors, and phrases. The headless body—surely the most striking element in the Pearl Bryan case—is absent from those ballads that have survived. Anne Cohen contends that a decapitated heroine does not belong to the formula—a murdered heroine, yes, but not a decapitated one. Similarly, newspapers made much of Pearl's "innocence" and tended to downplay the second murderer. Only one murderer, the lover, belongs to the stereotype. Poor Pearl, Poor Girl! is a ballad study conducted on historic- geographic lines; that is, it seeks to trace the history and interrelations of a series of ballad texts and to relate the ballads directly to their ideological and historical context in the American scene. It also compares the narrative techniques of ballad composition with the techniques of other forms of popular narrative, especially newspaper journalism.

This fascinating chronicle of murder in the Hoosier State paints a chilling portrait of the American Midwest from mid-19th century to the Jazz Age. In Murders that Made Headlines, Jane Simon Ammeson uncovers a grizzly history of crime in Indiana, offering a stark contrast to the nostalgic image of a simpler time in America’s heartland. While the Midwest saw many changes between the 1850s and the 1930s—from horses and buggies to Hudson sedans; ladies in long dresses to flappers in short skirts—the passions that led to murder remained the same. In this compendium of sensational and scandalous crimes, you will find tales of romantic jealousy, manic greed, racism, and family dysfunction—themes that remain all too familiar today. Ammeson recounts the astonishing and sometimes bizarre stories of arsenic murders, Ponzi schemes, prison escapes, perjury, and other shocking crimes that took place in the Hoosier state. These extraordinary true events once captured the public’s attention, only to be forgotten by time. But through extensive research into public records, genealogies, and even exhumed graves, Ammeson reveals the notorious true crimes lurking in our history.