From established poets such as Andrew Motion and James Fenton, to mid-career poets such as Glyn Maxwell and Kathleen Jamie, to recent T.S. Eliot Prize-winner Alice Oswald, the work is fiercely intelligent, often irreverent, and engaged with traditional forms and an exhilirating range of styles. --Graywolf Press.

Collects poems chosen by editor Denise Duhamel as the best of 2013, featuring 75 poets including Sherman Alexie, Daisy Fried, Elizabeth Hazen, and Noelle Kocot.

"It is the first anthology to comprehensively represent the generation of poets who have emerged since the mid-1990s"--P. [4] of cover.

Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence. The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy", they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism. Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).

This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.

Collection of poetry from students across the United States, selected and arranged by author grade level from grade 3 through grade 12.