(Best American Short Plays). Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989 , the choice of entries for each edition has been based on the same goal: "to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of productions indicate both initial achievement and continuing artistic productivity, and 3) talented new playwrights whose work may not have had much exposure but evidences promise for the future." From its inception, The Best American Short Plays has identified new, cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, Wendy Wasserstein, David Mamet, and Horton Foote. This volume, Bill Demastes' first edition as series editor, illustrates how well the short story play can grapple with the many dimensions of love. The selected plays present unique perspectives on the wide range of love's impact on our lives, each giving a thoroughly modern twist to the idea that life would be so much easier (but also much less interesting) if we could only avoid love's mercurial influence.

(Best American Short Plays). "Sticks and stones may break my bones, but words will never hurt me." Really? Words can break spirits, destroy confidence. They can also build hope and incite great acts of heroism. Playwrights know this, and so do theater audiences. Otherwise, why go? Words matter and carry clout every bit as dangerous as a hammer or crowbar. This, too, playwrights know. The monologues in this volume are full of such blows, striking at our imaginations and our memories, generating responses such as joyful laughter or chilling surprise. Others squeeze us into worlds we've never experienced, or perhaps experienced at the furthest edges of memory and recollection. Still others may help us alter the way we see certain things, people, or beliefs. Best Monologues from The Best American Short Plays, Volume Three is a collection of monologues drawn from the popular Best American Short Plays series, an archive of works from many of the best playwrights active today. Long or short, serious or not, excerpts or entireties, this collection abounds in speech acts that may trigger physical reactions and almost certainly will transform an attitude or two, drawing out lost memories, creating new ones, and definitely entertaining, engaging, amusing us all along the way.

(Applause Books). Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989 , the choice of entries for each edition has been based on the same goal: "to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of productions indicate both initial achievement and continuing artistic productivity, and 3) talented new playwrights whose work may not have had much exposure but evidences promise for the future." From its inception, The Best American Short Plays has identified new, cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams ( A Streetcar Named Desire ), Edward Albee ( Who's Afraid of Virginia Woolf ), Wendy Wasserstein ( The Heidi Chronicles ), David Mamet ( Glengarry Glen Ross ), and Horton Foote ( The Trip to Bountiful ). This volume is Barbara Parisi's fifth edition as series editor. The volumes of the new millennium include the work of playwrights Murray Schisgal, Adam Kraar, Theodore Mann, David Ives, and Mark Medoff, among others, and tackle complex human issues through diverse theatrical styles and a wide range of character perspectives.

(Best American Short Plays). For more than 70 years, The Best American Short Plays has been the standard of excellence for one-act plays in America. From its inception, it has identified cutting-edge playwrights Tennessee Williams, Edward Albee, and others who have gone on to establish award-winning careers. The Best American Short Plays 2013-2014 takes a look at our changing times. "Uncertain" seems to be the watchword of today's world, full of surprises, shocks, and even a few delights. Uncertainty brings with it fear and insecurity, as well as nostalgic longing for the good old days, but for some, uncertainty means opportunity and along with it the prospect of change for the better. This volume explores various experiences of uncertainty and includes a series of nine plays gathered by Daniel Gallant, entitled Nine Signs of the Times , as well as short plays by Neil LaBute, John Guare, Laura Shaine Cunningham, Daniel F. Levin, Quincy Long, Halley Feiffer, Caridad Svich, and Clay McLeod Chapman. This collection will be complemented by a range of plays from around the country by playwrights likewise observing and digesting the signs of the times. Together the plays of this volume work as a time capsule, capturing the fears and longings of a world on the verge and in the midst of big changes, hopefully for the better but quite possibly for the worse.

(Applause Books). For over 70 years, The Best American Short Plays has been the standard of excellence for one-act plays in America. From its inception, it has identified cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, and more. In this volume, the plays capture the struggle between "hot tempers and cold decrees." Humans love to think of themselves as rational beings well in control of their lives and surroundings from sunup to sundown, sundown to sunrise. We learn to follow rules of proper behavior and more than happily issue out advice to our friends who just can't get a handle on themselves. Restraint and order, after all, are the cornerstones of human society and civilization. The problem is that human nature bucks and bridles at every attempt to socialize and civilize. Shakespeare got it right when he penned the observation, "The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree." In those few words he has managed to capture precisely why it is so difficult to be human; if it were okay simply to let our hot tempers prevail, life would be so much easier. But cold decrees are what prevent us from self-destruction, and so we endure the struggle.

This second volume of the best monologues from the Best American Short Plays series features a diverse selection drawn from the outstanding works from many of today's best American playwrights. In these monologues, the playwrights capture much of the flavors, feelings, and thoughts of American culture over the past several decades. The result is a collection of taught, engaging monologues offering fascinating perspectives. They are written with an eye toward the stage that makes them excellent source material for actors young and old alike. And they offer a freshness and directness that make them excellent companions for readers attracted to good, often quirky, and always engaging contemporary literature.

Multiple award-winning producer and leading teacher of acting Robert Benedetti offers a no-nonsense, detailed, and clearly structured approach to the fundamentals of acting for the camera. Benedetti uses the same approach he has employed in writing and teaching for over fifty years — defining underlying principles, presenting them in a logically sequential program of development, and providing experiential exercises to help future, as well as experienced, actors shine in film and television.