(Best American Short Plays). Applause is proud to continue the series that for over 60 years has been the standard of excellence for one-act plays in America. Our editor Barbara Parisi has selected the following 16 plays: DEBOOM: WHO GIVES THIS WOMAN? , by Mark Medoff; And Then , by Amelia Arenas; The Cleaning , by Zilvinas Jonusas; Breakfast and Bed , by Amy Fox; The News from St. Petersburg , by Rich Orloff; Double Murder , by Scott Klavan; Running in Circles Screaming , by Jeni Mahoney; Witness , by Peter Maloney; Asteroid Belt , by Lauren Feldman; Glass Knives , by Liliana Almendarez; Hearts and Minds , by Adam Kraar; In Conclusive Woman , by Julie (Pratt) Mollenkamp; Mixed MeSSages , by Mike Pasternack; Amoureque and Arabesque , by Victor Gluck; and The Birth of Theater , by Jules Tasca.

Theater / Contemporary Plays

A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.

Best Monologues from Best American Short Plays, Volume One is a must for actors of all ages – beginners as well as seasoned veterans – and belongs in the libraries of all theater teachers looking for new and exciting material for their students. The monologues in this volume are excerpted from the outstanding series Best American Short Plays, an archive of works from many of the best playwrights active today, presenting taut, engaging single-character pieces that range from zany comedy to poignant tales of love and loss. Each monologue includes a short introduction and a reference identifying where to locate the entire play, should anyone choose to pursue production beyond the monologue. Long or short, serious or not, this collection is must-have material for anyone interested in acting. The monologues also succeed as excellent companions for the casual reader.

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction

Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989, the choice of entries for each edition has been based on the same goal: “to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of productions indicate both initial achievement and continuing artistic productivity, and 3) talented new playwrights whose work may not have had much exposure but evidences promise for the future.” From its inception, The Best American Short Plays has identified new, cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, Wendy Wasserstein, David Mamet, and Horton Foote. This volume, Bill Demastes' first edition as series editor, illustrates how well the short story play can grapple with the many dimensions of love. The selected plays present unique perspectives on the wide range of love's impact on our lives, each giving a thoroughly modern twist to the idea that life would be so much easier (but also much less interesting) if we could only avoid love's mercurial influence.

Multiple award-winning producer and leading teacher of acting Robert Benedetti offers a no-nonsense, detailed, and clearly structured approach to the fundamentals of acting for the camera. Benedetti uses the same approach he has employed in writing and teaching for over fifty years — defining underlying principles, presenting them in a logically sequential program of development, and providing experiential exercises to help future, as well as experienced, actors shine in film and television.