A stunning and illuminating one-of-a-kind anthology of one of the world's most ancient royal dynasties as told by its own people. Infused with the grandeur, history, artistic accomplishments, and challenges that have arisen over the centuries, The Benin Monarchy: An Anthology of Benin History is the first of its kind offering an expansive examination of the history of a nation. The Kingdom of Benin, now a part of Nigeria, has a remarkable and complex history; epicentre of the largest historical empire ever established in the 'rain forest belt' of West Africa, today it looks to compete with the most modern states within the continent whilst losing none of its unique heritage. Tracing the development of the Kingdom of Benin from the earliest times to the rise of the current monarchical dynasty, a royal line that has endured over 800 years, the reader is taken on a journey that includes trade with Europe, the vicissitudes of colonial and post-colonial periods and culminates in the c

Focusing on idealists and visionaries who believed that Justice could reign in our world, this book explores the desire to experience utopia on earth. Reluctant to await another existence, individuals with ghuluww, or exaggeration, emerged at the advent of Islam, expecting to attain the apocalyptic horizon of Truth.

Mothers, wives, concubines, entertainers, attendants, officials, maids, drudges. By offering the first comparative view of the women who lived, worked, and served in royal courts around the globe, this work opens a new perspective on the monarchies that have dominated much of human history. Written by leading historians, anthropologists, and archeologists, these lively essays take us from Mayan states to twentieth-century Benin in Nigeria, to the palace of Japanese Shoguns, the Chinese Imperial courts, eighteenth-century Versailles, Mughal India, and beyond. Together they investigate how women's roles differed, how their roles changed over time, and how their histories can illuminate the structures of power and societies in which they lived. This work also furthers our understanding of how royal courts, created to project the authority of male rulers, maintained themselves through the reproductive and productive powers of women.

In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.

Winner of the Society of the Cincinnati History Prize, Society of the Cincinnati in the State of New Jersey Finalist, George Washington Prize A Choice Outstanding Academic Title of 2015 Generations of students have been taught that the American Revolution was a revolt against royal tyranny. In this revisionist account, Eric Nelson argues that a great many of our “founding fathers” saw themselves as rebels against the British Parliament, not the Crown. The Royalist Revolution interprets the patriot campaign of the 1770s as an insurrection in favor of royal power—driven by the conviction that the Lords and Commons had usurped the just prerogatives of the monarch. “The Royalist Revolution is a thought-provoking book, and Nelson is to be commended for reviving discussion of the complex ideology of the American Revolution. He reminds us that there was a spectrum of opinion even among the most ardent patriots and a deep British influence on the political institutions of the new country.” —Andrew O’Shaughnessy, Wall Street Journal “A scrupulous archaeology of American revolutionary thought.” —Thomas Meaney, The Nation “A powerful double-barrelled challenge to historiographical orthodoxy.” —Colin Kidd, London Review of Books “[A] brilliant and provocative analysis of the American Revolution.” —John Brewer, New York Review of Books