In 'The Belief in Immortality and the Worship of the Dead' by James George Frazer, the renowned anthropologist explores the universal belief in an afterlife and the rituals associated with honoring deceased ancestors. Written in a scholarly and comprehensive style, Frazer delves into various cultures, traditions, and historical practices to examine the continuity and evolution of beliefs surrounding death. Drawing on a wide range of ethnographic data, this book provides a profound insight into the human psyche and the ways in which different societies navigate the concept of mortality. Frazer's meticulous research and comparative analysis offer valuable perspectives on the significance of ancestor worship in shaping cultural identities and religious practices. Through his interdisciplinary approach, Frazer sheds light on the complexities of human spirituality and the enduring relevance of ancestral veneration in contemporary societies. Readers interested in anthropology, religious studies, and the history of belief systems will find this book enlightening and thought-provoking.

Reproduction of the original: The Belief in Inmortality and the Worship of the Dead by J.G Frazer

Reproduction of the original: The Belief in Inmortality and the Worship of the Dead by James George Frazer

In this cross-cultural, interdisciplinary study, John Hick draws upon major world religions, as well as biology, psychology, parapsychology, anthropology, and philosophy, to explore the mystery of death. He argues that scientific and philosophical objections to the idea of survival after death can be challenged, and he claims that human inadequacy in facing suffering supports the basic religious argument for immortality.

This volume reflects on the ghostly and its varied manifestations including the uncanny, the revenant, the echo, and other forms of artistic allusion. These unsettling presences of the spectral other occur in literature, history, film, and art. The ghostly (and its artistic, literary, filmic, and cultural representations) remains of burgeoning interest and debate to twenty-first century literary critics, cultural historians, art historians, and linguists. Our collection of essays considers the wider implications of these representations of the ghostly and notions of the spectral to define a series of different, but inter-related, cultural topics (concerned with questions of ageing, the uncanny, the spectral, spiritualism, eschatology), which imaginatively testify to our compulsion to search for evidence of the ghostly in our everyday encounters with the material world.