On the night of January 5, in certain areas of southern Tuscany, a costumed, singing troupe of characters visits residents' homes, expecting to be fed and feted. This is the Befanata, a mumming tradition centered in Tuscany, whose main character--the Befana--is a kindly old woman or grandmotherly witch who delivers toys, candies, and gifts. The Befana Is Returning is a deeply researched, deftly insightful presentation of this living tradition that adds a large missing piece to the array of contemporary ethnographic scholarship on mumming.

When career-girl Veronica flies to Sicily for a friend's wedding, she accidentally falls in love with one of the groom's three-hundred cousins. A year later she has given up her job, house and friends, and is planning her own wedding with her Latin Lover in the shimmering heat of Sicily.

In this beloved classic picture book, Tomie dePaola retells and illustrates an Italian Christmas folk tale, breathing warmth and humanity into the character of the lonely Old Befana and her endless search for the Christ Child. Every morning and every afternoon, Old Befana sweeps with her broom. “Cranky old lady,” the children say. “She is always sweeping!” Sweep, sweep, sweep. But when a brilliant star glows in the eastern sky one night, and Old Befana encounters the glorious procession of three kings on their way to Bethlehem, her world will never be the same.

"Wagner skillfully inserts nuggets of local culture without slowing down the narrative pace, and perhaps even more importantly, he gets Italy right. He understands the nuances of Italian manners and mentality as well as the glorious national preoccupation with food."—Publishers Weekly The most famous cathedral façade in Italy is found in Umbria—a structure of gothic spires, arches, statues, and mosaics. But as translator Rick Montoya discovers, this jewel of Umbria has a dark side When Rick Montoya traveled to his mother's Italy from his father's Santa Fe, New Mexico, to work as a freelance translator using his dual heritage, he didn't expect to be helping the Italian police. His maternal uncle, a high-level commissioner in Rome, however, sees no reason not to use the resources at hand. The trouble begins when Rick is asked by his uncle to go to Orvieto to talk some sense into his cousin Fabrizio, whose fling with an older married woman is embarrassing the family. Rick agrees to give it a try. Less than a day after arrival, his language skills draw him into the brutal murder of an American visitor. The murdered woman had studied art in Italy decades earlier—why has she returned now? And when a second murder occurs in a public park—narrowly missing Rick himself—he can't help but wonder if his family has anything to do with the case. In this addition to David P. Wagner's mystery books, a dark past casts its shadow over the picturesque city of Umbria. Is it possible to right the wrongs of the past and remain unscathed? Other books in the Rick Montoya Italian Mysteries: Cold Tuscan Stone Death in the Dolomites Murder Most Unfortunate Return to Umbria A Funeral in Mantova

This multidisciplinary volume examines the ongoing effects of James G. Frazer’s The Golden Bough in modern Humanities and its wide-ranging influence across studies of ancient religions, literature, historiography, and reception studies. The book begins by exploring the life and times of Frazer himself and the writing of The Golden Bough in its cultural milieu. It then goes on to cover a wide range of topics, including: ancient Near Eastern religion and culture; Minoan religion and in particular the origins of notions of Minoan matriarchy; Frazer’s influence on the study of Graeco-Roman religion and magic; Frazer’s influence on modern Pagan religions; and the effects of Frazer’s works in modern culture and scholarship generally. Chapters examine how modern academia and beyond continues to be influenced by the otherwise discredited theories in The Golden Bough, ideas such as Sacred Marriage and the incessant Fertility of Everything. The book demonstrates how scholarship within the Humanities as well as practitioners of alternative religions and the common public remain under the thrall of Frazer over one hundred years since the publication of the abridged edition of The Golden Bough, and what we must do to shake off that influence. A Century of James Frazer’s The Golden Bough is of interest to scholars and students from a wide range of disciplines, including Ancient History, History of Religion, Comparative Religion, Classical Studies, Archaeology, Historiography, Anthropology, Folklore, and Reception Studies.

The practice of medicine is immersed in issues of life, death, and suffering in relation to the mortal body. Because of this, the medical profession is a fertile arena for folklore that serves to address these topics among physicians. In The Medical Carnivalesque, Lisa Gabbert argues that this extraordinarily difficult work context has led to the development of an occupational corpus of folklore, backstage talk, and humor that she calls the medical carnivalesque. Gabbert argues that suffering is not only something experienced by patients, but that the organization, practice, and ethos of medicine can induce suffering in physicians themselves. Featuring topics such as the institutionalized nature of physician suffering, death-related humor and talk, stories about patient bodies, and parodies of medical specialties, The Medical Carnivalesque shows us how the culture of contemporary medicine uses travesty, humor, and inversion to address the sometimes painful and often transgressive aspects of doctoring. The Medical Carnivalesque connects patient and physician suffering to laughter; acknowledges suffering as an essential component of life; and constitutes a way in which some physicians address the core philosophical and existential issues with which they regularly engage as they go about their daily work.

Grimassi has written extensively about Wicca, and Llewellyn specializes in books sympathetic to occult ways, so the combination is pretty predictable. He describes not only the usual magic practices, but also the religious and spiritual aspects of what believers say is inherited ancient European wisdom and scoffers say is made-up, new-age nonsense. Annotation copyrighted by Book News, Inc., Portland, OR