The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts

A bolt-necked monster opens his eyes, lifts himself from his laboratory table, then lurches and stumbles toward his creator. Do we know this image because we are movie-watchers? When we imagine Frankenstein's monster, do we draw upon Mary Shelley's description? Or Boris Karloff's iconic look from the 1931 film by James Whale? Whether as cliche or icon, the monster clearly not only escaped from Victor Frankenstein's laboratory, but also from the pages of Shelley's book to roam unimpeded through our cultural psyche. New in the acclaimed Bedside, Bathtub & Armchair series, this guide provides the interested and curious, the serious and the ghoulish, with a new and unimaginable understanding of the Frankenstein legend. Written by an acclaimed social critic, The Bedside, Bathtub & Armchair Companion to Frankenstein takes us from Mary Shelley's creation to the latest film adaptations and comic-book re-creations. The book includes 200 images, many seldom seen, along with maps, puzzles, and brain-teashers--whether your brain was misplaced in a scientist's lab or not!

Whether you've read Jane Austen once or read her yearly, or if you simply yearn to be Elizabeth or Mr. Darcy, this new Bedside companion will be a perfect match. Janeite and newcomer alike will revel in the entertaining capsules of each of Austen's beloved novels, along with information on such important subjects as white soup, carriages, what happened at the ha-ha, and, of course, all those characters we love to hate. In the spirit of Austen, maps, puzzles and quizzes are provided-including the one and only Jane Austen aptitude Test. The reader is taken on location to Steventon, Jane Austen's childhood home, to Bath, the city she was happy to leave, and elsewhere. Also included is an interview with Karen J. Fowler, author of The Jane Austen Book Club. An Austentatious work, indeed!

The Bedside Dickens provides a lively look at this great novelist's life and career. It sheds light on his role as a polemicist and journalist and explores the way his work was long informed by his Christian faith. It also reveals his most persistent literary themes and provides a vivid sense of how, among his contemporaries, Dickens' vast success-and his "radical" politics-provoked both admiration and scorn. Dickens, this study reminds us, saw life as a battle, but as both a novelist and journalist he sought to provide a more hopeful worldview. He repeatedly satirized vice and folly, even as he urged his readers and the leaders of his day to be less selfish and narrow and to "do good always." Chapters and topics include: Dickens and Animals; Christmas Stories; The Magnetizer; Dickens vs. Thackeray; A Christian Writer; Dickens Down Under; What Dickens Read; Dickens and Spontaneous Combustion; Dickens and Journalism; Dickens on the Couch.

Virginia Woolf was one of the most important writers of the twentieth century. As the author of works including Mrs Dalloway, To the Lighthouse and A Room of One's Own, she is celebrated both as a Modernist and as a feminist icon. Her involvement in the lively and controversial Bloomsbury Group, which included the writer Lytton Strachey, the painters Vanessa Bell and Roger Fry and the economist Maynard Keynes, was a significant part of both her personal and creative lives. As a group they were witty, bold and original and their intellectual and artistic accomplishments have had a lasting impact. Popular fascination with Virginia Woolf and the Bloomsbury Group is reflected in the success of the recent films The Hours and Carrington. The Bedside, Bathtub and Armchair Companion to Virginia Woolf and Bloomsbury is a fascinating guide to these intriguing characters. It presents Woolf as a dynamic individual with a wide and fascinating circle of friends. The book explores Woolf's early life and family, the origins and activities of the Bloomsbury Group and Woolf's later career and those of her friends. It also includes sections on the Hogarth Press, Virginia Woolf and the Suffrage movement, the myths and reality of Virginia's death and the continuing presence of the Bloomsbury Group in popular culture. Packed with insight and information, and illustrated throughout, the companion is the ideal guide to Virginia Woolf and her contemporaries.

The first book to investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge from both published and unpublished sources, including interviews conducted with literary tourists and archival research into the founding of the Jane Austen Society of North America and the exceptional Austen collection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austen portraits; portrayals of Austen, and of Austen fans, in film and fiction; and hybrid works that infuse Austen's writings with horror, erotica, or explicit Christianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about the importance of literature and reading today.

LITERARY STUDIES: GENERAL. Virginia Woolf, Cesare Pavese, Sarah Kane, Ernest Hemingway, Anne Sexton, Thomas Lovell Beddoes, Sylvia Plath, Hunter S. Thompson. Eight remarkable writers of international acclaim with at least one thing in common - they all committed suicide. Research in the UK and USA has established that suicidal thoughts are more prevalent in writers than any other profession. But what causes writers with suicide in mind to take the deadly step of committing the act? Taking a forensic approach, Arthur Lawrence picks apart the life and works of each writer in turn to discover how, why and with what far-reaching consequences these literary greats had suicide in mind.