The 25th Anniversary ebook, now with more than 50 images. 'Touching the Void' is the tale of two mountaineer’s harrowing ordeal in the Peruvian Andes. In the summer of 1985, two young, headstrong mountaineers set off to conquer an unclimbed route. They had triumphantly reached the summit, when a horrific accident mid-descent forced one friend to leave another for dead. Ambition, morality, fear and camaraderie are explored in this electronic edition of the mountaineering classic, with never before seen colour photographs taken during the trip itself.

Joe Simpson recounts his experiences as a mountain climber in the Himalayas, offering his insights into the perplexing nature of aggression and violence -- in himself, others, and society.

* Concise, objective account of the 1996 Everest debacle * One of Simpson's most controversial and challenging books * Short listed for the 1997 Boardman Tasker Award In 1992, an Indian climber was left to die alone high on the South Col of Mount Everest by other climbers who watched his feebly waving hand from the security of their tent thirty yards away. Some film footage of his corpse was later shown on television. Why did these onlookers not hold the dying man's hand and comfort him? The answer appalls Joe Simpson, who was himself left for dead in a crevasse at the foot of Siula Grande in Peru in 1985. It is an uncomfortable ethical question that he is forced to confront as he attempts a difficult new route on Pumori, with a clear view of the whole South Col from close to the vantage point where Eric Shipton first spotted the way up the south side of Everest taken by Hillary and Tenzing in 1953. Now that Everest has become the playground of the rich, where commercial operators offer guided tours to the top up fixed ropes, camping amidst the detritus and unburied corpses of previous less fortunate climbers, Simpson wonders if the noble, caring instincts that once characterized mountaineering have been irrevocably displaced as in other facets of today's society. On investigation, he finds it a less black and white issue that at first it seemed. "I shall never forget the horror of dying alone, the awful empty loneliness of it," he says. Yet his empathy for the victims of storms, altitude sickness, or misjudgments, is tested time and again as he explores anecdotally and in conversations with his companions on Pumori, the moral climate of mountaineering in the 1990s.

"Miles ahead of the average ghost-story" — Sunday Times. A novelist retreats to an abandoned house in the heart of London, where he becomes enthralled by an 18th-century spirit — and where his contact with the outside world gradually diminishes. Acclaimed by such masters as Lovecraft as one of the best ghost stories in the English language.

This is a sequel to 'Touching The Void', in which Simpson described a fall in the Himalayas which crippled and almost broke him.

With four elegant and beautifully crafted novels Julien Gracq has established himself as one of France's premier postwar novelists. A mysterious and retiring figure, Gracq characteristically refused the Goncourt, France's most distinguished literary prize, when it was awarded to him in 1951 for this book. As the latest work in the Twentieth-Century Continental Fiction Series, Gracq'a masterpiece is now available for the first time in English. Set in a fictitious Mediterranean port city, The Opposing Shore is the first-person account of a young aristocrat sent to observe the activities of a naval base. The fort lies at the country's border; at its feet is the bay of Syrtes. Across the bay is territory of the enemy who has, for three hundred years, been at war with the narrator's countrymen; the battle has become a complex, tacit game in which no actions are taken and no peace declared. As the narrator comes to understand, everything depends upon a boundary, unseen but certain, separating the two sides. Besides the narrator there are two other main characters, the dark and laconic captain of the base and a woman whose compex relations to both sides of the war brings the narator deeper into the story's web. For many French readers The Opposing Shore (published as Le rivage des Syrtes ), with its theme of transgressions and boundaries, spoke to the issue of defeat and the desire to fail: a paticularly sensitive motif in postwar French literature. But there is nothing about the novel tying it either to France or to the 1950s; in fact, Gracq's novel, with its elaborate, richly detailed prose, will be of greater interest now than at any point in the last twenty years.