The stunning Lolab Valley of Kashmir. Cold. Crisp. Serene. Punctuated by the blood curdling violence that rips apart the stillness of this paradise. Within the militancy torn valley nestles the ravaged lives of the people who inhabit it. And of the men in uniform who fight for their country. Set against the backdrop of this rugged milieu is the clash of two charismatic leaders-the inimitable Major Hariharan of the Indian Special Forces, and the volatile battle hardened Pakistani mujahid, Sher Khan. Caught in this bitter conflict is the enigmatic Sahira, a local Gujjar girl who has to face her own demons. All of them have journeys that will test their strengths over and over again... In the Valley of Shadows is a compelling tale of courage and passion and the hatred that an insurgency generates, leaving a trail of destruction and devastation in its wake. Follow the thrilling cat-and-mouse game between two passionate men of war, a chase that only one of them will survive...

This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.

Grant Allen was born in Canada, educated in France and the United Kingdom and worked in many places including Jamaica, during his lifetime. He was primarily a scientist, turning only to literature in later life. This is a collection of stories full of melodrama and intrigue.

Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey.

Anna Pigeon, a ranger for the U.S. Park Services, sets off on vacation—an autumn canoe trip in the to the Iron Range in upstate Minnesota. With Anna is her friend Heath, a paraplegic; Heath's fifteen-year-old daughter, Elizabeth; Leah, a wealthy designer of outdoor equipment; and her daughter, Katie, who is thirteen. For Heath and Leah, this is a shakedown cruise to test a new cutting edge line of camping equipment. The equipment, designed by Leah, will make camping and canoeing more accessible to disabled outdoorsmen. On their second night out, Anna goes off on her own for a solo evening float on the Fox River. When she comes back, she finds that four thugs, armed with rifles, pistols, and knives, have taken the two women and their teenaged daughters captive. With limited resources and no access to the outside world, Anna has only two days to rescue them before her friends are either killed or flown out of the country, in Destroyer Angel, the New York Times bestseller by Nevada Barr.