WARNING: This is not a traditional love story. This book is fiction and contains material readers may find offensive. This is the updated version that contains the happily ever after epilogue. Ruby Jacobson wanted a new life, but it seems fate gives her a twisted version of it. Taken from her bed, and sold like an object, Ruby believes death is a far better outcome then what fate has in store for her. Or so she thought. Gavin Darris has always desired the darker pleasures in life. Normally not one to purchase his playthings, he needs a woman who will bend to his will, and derive pleasure from it, too. He sees Ruby, one of the many women for sale, and he wants her as he's never wanted anything else before. She has a fire in her eyes and a determination not to yield. She looks like a fighter and is exactly what he is looking for. Making her submit will be almost as pleasurable as finally sating the darkness inside of him. He is ruthless in what he wants, and what he wants is Ruby. The dark desires Ruby has felt inside of her are about to be tempted in the most horrifying of ways. She should hate Gavin and fear everything he represents, but she can't deny that her body aches for his touch. He tells her she is his; that he owns every part of her, and everything inside of her knows that is the truth. Faced with the ultimate decision, Ruby must choose to escape and gain her freedom, or stay with Gavin, the monster whose delicious punishment makes her yearn for more. Both are frightening.

In The Beautiful Prison incarcerated Americans and prison critics seek to imagine the prison as something better than a machinery of suffering. From personal testimony to theoretical meditation these writers explore and confront the practical and cultural limits the prison places on its transformation into a socially constructive institution.

A gripping and emotional but seriously flawed life of one family's will to survive alone together, off-the-grid, while braving the wilderness with courage to survive and with a desire to defy the odds to remain alive - all based on a true story. Beautiful Prison is a story of family suffering from domestic abuse by a manipulative and abusive father who isolates his family into the wild untamed Idahoan Mountains. The incredible true story portrays the lessons learned through the eyes of childhood emotional neglect from an emotionally immature parent and how eight siblings who survived an unspeakable childhood found the road back from surviving the forest. One mother discovers all that's wrong with the spiral of toxic events which led to the ultimate survival of her children and why a meaningful life is not supposed to be this way. Running on empty, she learned how to stop doubting and do what it takes to reverse childhood adversity and promote self healing through self-discovery.

A stunning account of life behind bars at the federal penitentiary in Leavenworth, Kansas, where the nation’s hardest criminals do hard time. “A page-turner, as compelling and evocative as the finest novel. The best book on prison I’ve ever read.”—Jonathan Kellerman The most dreaded facility in the prison system because of its fierce population, Leavenworth is governed by ruthless clans competing for dominance. Among the “star” players in these pages: Carl Cletus Bowles, the sexual predator with a talent for murder; Dallas Scott, a gang member who has spent almost thirty of his forty-two years behind bars; indomitable Warden Robert Matthews, who put his shoulder against his prison’s grim reality; Thomas Silverstein, a sociopath confined in “no human contact” status since 1983; “tough cop” guard Eddie Geouge, the only officer in the penitentiary with the authority to sentence an inmate to “the Hole”; and William Post, a bank robber with a criminal record going back to when he was eight years old—and known as the “Catman” for his devoted care of the cats who live inside the prison walls. Pete Earley, celebrated reporter and author of Family of Spies, all but lived for nearly two years inside the primordial world of Leavenworth, where he conducted hundreds of interviews. Out of this unique, extraordinary access comes the riveting story of what life is actually like in the oldest maximum-security prison in the country. Praise for The Hot House “Reporting at its very finest.”—Los Angeles Times “The book is a large act of courage, its subject an important one, and . . . Earley does it justice.”—The Washington Post Book World “[A] riveting, fiercely unsentimental book . . . To [Earley’s] credit, he does not romanticize the keepers or the criminals. His cool and concise prose style serves him well. . . . This is a gutsy book.”—Chicago Tribune “Harrowing . . . an exceptional work of journalism.”—Detroit Free Press “If you’re going to read any book about prison, The Hot House is the one. . . . It is the most realistic, unbuffed account of prison anywhere in print.”—Kansas City Star “A superb piece of reporting.”—Tom Clancy

Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. Films examined include The Big House (1930), I Want to Live! (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994), and Starred Up (2013).

"My grandfather went to Sing Sing. My father, my uncle, my brother went to Sing Sing. I went to Sing Sing." Poor schools. Violent neighborhoods. Easy drugs. No jobs. No support. No options. In the disadvantaged communities of urban America, The cradle-to-prison pipeline locks young men out of opportunity long before it locks them up. Meet 15 men doing something about it--15 men who got an education inside Sing Sing Correctional Facility, and used it to break out of the cycle. Today, they are role models for young men in their communities. And they are here to put a human face on effective solutions to ending the epidemic of mass incarceration in America today.

"The claim of The Black Poets to being... an anthology is that it presents the full range of Black-American poetry, from the slave songs to the present day. It is important that folk poetry be included because it is the root and inspiration of later, literary poetry. Not only does this book present the full range of Black poetry, but it presents most poets in depths, and in some cases presents aspects of a poet neglected or overlooked before. Gwendolyn Brooks is represented not only by poems on racial and domestic themes, but is revealed as a writer of superb love lyrics. Tuming away from White models and retuming to their roots has freed Black poets to create a new poetry. This book records their progress."--from the Introduction by Dudley Randall