In the arms of her lover Michael, Cin Craven has found satisfaction for her most primal longings, reaching heights of pleasure no mere human could ever imagine. She has also found a purpose for her unearthly powers. Cin is a member of The Righteous, a band of slayers that hunts down vampires who inflict evil upon the world. With Michael by her side, Cin's latest mission brings her face-to-face with Marrakesh, a beautiful, half-mad vampire queen charged with slaughtering humans. If she's found guilty, Marrakesh will pay with her life. But Cin is convinced that someone —or something—far more ruthless is trying to steal the queen's throne.. It's a mission that will pit Michael and Cin against each other for the first time, awakening their darkest instincts and testing their love like never before... Jenna Maclaine's Grave Sins is a dazzling follow-up to Wages of Sin, which New York Times bestselling author Gena Showalter called "A wonderful blend of fantasy, romance, and intoxicating adventure, wickedly spiced with danger."

Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals but this biography, the first to appear for a century, is the only one to focus on her as a writer and draw attention to the full range of her output, which raises her stature as an author considerably. Born into the upper class of Georgian England, she was pushed into marriage at sixteen to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children. Though acutely conscious of her relative lack of education, as a woman, she ventured into writing poetry, stories and plays. Incompatibility and infidelities on both sides ended her marriage and she had to move to France where, living in seclusion, she wrote the little-known feminist work Letters to Her Son. In the years that followed, she travelled extensively all over Europe and turned her letters into a travelogue which is one of her best-known works. On her return she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach. At his court she organised and appeared in theatricals, and wrote several more plays of great interest, including The Modern Philosopher. In 1792 she and the Margrave settled in England, where they were never fully accepted by the more strait-laced pillars of society but mixed with all the musicians and actors and the more rakish of the Regency set. Craven continued to put on her own theatricals and write for the theatre. In her old age, she moved to Naples where she passed her time sailing, gardening and writing her Memoirs. Even in her final years, scandal dogged her, and Craven made her feminist principles and criticisms of the laws of marriage apparent through her involvement in the notorious divorce case of Queen Caroline.

The years 1774-77 saw Fanny Burney's increasing occupation with Evelina, which she finally completed and presented to the publisher Thomas Lowndes. Like her novel, the journals and letters of this period reveal her artistic powers, as she continues to sketch characters with economy and precision and create convincing narratives out of the events of her life. Among the more memorable figures she meets at her father's London house are the "noble savage" Omai, the first Tahitian brought back to England; the famed explorer James "Abyssinian" Bruce, who returned from Africa with tales of natives who ate raw flesh; and Prince Aleksei Orlov of Russia, who had Czar Peter III murdered in order to permit Peter's wife, Catherine "the Great," to ascend the throne. Other notable figures include Dr Samuel Johnson and the great singer Lucrezia Agujari, admired by Mozart. Also in these pages, the usually diffident Miss Burney takes charge of her destiny by rebuffing her suitor Thomas Barlow, who has wealth, education, good looks, and the vehement approval of most of her family, but whom she finds a total bore. The journals and letters of Fanny Burney are an invaluable source for anyone interested in the social and literary history of late eighteenth- and early nineteenth-century England. Lars Troide has supported the texts with thorough and detailed annotations.