The end of the world has happened... and the insects won. When humanity came face to face with insectoid aliens from outer space intent on taking over the earth, it never occurred to anyone that they would come out the other side of the battle that followed the losers. But they did. Now, with what remains of the human race in tatters, a small band of misfits scraping a living in the remins of a city question what it means to be truly alive in a world where surviving asks everything of you, and hope is just a memory.

A collection of photographs from the burial grounds of Europe explores the beauty of cemeteries and the emotions the survivors of the dead placed into the making of the tombs.

“The day shall come when all will whisper to me of their absence… and with cause, for I am the last man on Earth.” Wind rattles down empty streets, dust gathers where people used to. The world has ended. The world as we know it, at least. The insects came. They won. Picking through the rubble are the last remnants of what was once a master race… Some humans are still alive. A few. Not many, and to call what they do “living” is being generous. Thrown together by circumstances beyond their control, they have to make the best of what is left to them. They have to survive…

When Crusader armies on their way to the Holy Land attacked Jewish communities in the Rhine Valley, many Jews chose suicide over death at the hands of Christian mobs. With their defiant deaths, the medieval Jewish martyr was born. With the literary commemoration of the victims, Jewish martyrology followed. Beautiful Death examines the evolution of a long-neglected corpus of Hebrew poetry, the laments reflecting the specific conditions of Jewish life in northern France. The poems offer insight into everyday life and into the ways medieval French Jews responded to persecution. They also suggest that poetry was used to encourage resistance to intensifying pressures to convert. The educated Jewish elite in northern France was highly acculturated. Their poetry--particularly that emerging from the innovative Tosafist schools--reflects their engagement with the vernacular renaissance unfolding around them, as well as conscious and unconscious absorption of Christian popular beliefs and hagiographical conventions. At the same time, their extraordinary poems signal an increasingly harsh repudiation of Christianity's sacred symbols and beliefs. They reveal a complex relationship to Christian culture as Jews internalized elements of medieval culture even while expressing a powerful revulsion against the forms and beliefs of Christian life. This gracefully written study crosses traditional boundaries of history and literature and of Jewish and general medieval scholarship. Focusing on specific incidents of persecution and the literary commemorations they produced, it offers unique insights into the historical conditions in which these poems were written and performed.

MILLION COPY BESTSELLING AUTHOR DCI Jack Hawksworth is back, working on a high-profile case breaking in London. A calculating serial killer is on the loose, committing the most gruesome of murders as he ‘trophies’ the faces of his victims. With each new atrocity, the public and police force are getting more desperate for results. Hawk pulls together a strong and experienced taskforce, who soon find themselves caught up in a murky world of illegal immigrants and human organ trading. As he struggles to find any sort of link between the victims, Jack identifies something unique about the most recent corpse, and things suddenly get very personal. From the seedy underbelly of London’s back streets and New Scotland Yard to the dangerous frontiers of modern medicine, this is a gripping crime thriller from a powerhouse Australian author. "A master of her craft." Better Reading ______________________________ Discover more thrilling cases with DCI Jack Hawksworth in this unmissable series: Bye Bye Baby Beautiful Death Mirror Man Dead Tide

Haunting black and white photographs of moths, beetles and butterflies, presented alongside an essay by the artist.

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.