John of Gaunt's illegitimate line whose role in the Wars of the Roses led to the capture of the crown.

The remarkable progress of the Beaufort dynasty and how they seized the opportunity for wealth, power and influence in an era of instability and bitter feuding.

They also sought to tame political and religious passions and to bring order and stability to Restoration society, a goal which was shared by many members of the landed classes. This book uses their story to illuminate the profound cultural changes which took place after 1660. It also brings to life Henry Somerset (1629-1700) and Mary Capel Somerset (1630-1715), two complex and unique individuals."--BOOK JACKET.

As King Henry VI slips into insanity and the realm of England teeters on the brink of civil war, a child is married to the mad king's brother. Edmund Tudor, Earl of Richmond, takes his child bride into Wales where she discovers a land of strife and strangers. At Caldicot Castle and Lamphey Palace Margaret must put aside childhood, acquire the dignity of a Countess and, despite her tender years, produce Richmond with a son and heir.While Edmund battles to restore the king's peace, Margaret quietly supports his quest; but it is a quest fraught with danger.As the friction between York and Lancaster intensifies 14-year-old Margaret, now widowed, turns for protection to her brother-in-law, Jasper Tudor. At his stronghold in Pembroke, two months after her husband's death, Margaret gives birth to a son whom she names Henry, after her cousin the king. Margaret is small of stature but her tiny frame conceals a fierce and loyal heart and a determination that will not falter until her son's destiny as the king of England is secured.The Beaufort Bride traces Margaret's early years from her nursery days at Bletsoe Castle to the birth of her only son in 1457 at Pembroke Castle. Her story continues in Book Two: The Beaufort Woman.

“Nature, rightly questioned, never lies.” —A Manual of Scientific Enquiry, Third Edition, 1859 Scott Huler was working as a copy editor for a small publisher when he stumbled across the Beaufort Wind Scale in his Merriam Webster Collegiate Dictionary. It was one of those moments of discovery that writers live for. Written centuries ago, its 110 words launched Huler on a remarkable journey over land and sea into a fascinating world of explorers, mariners, scientists, and writers. After falling in love with what he decided was “the best, clearest, and most vigorous piece of descriptive writing I had ever seen,” Huler went in search of Admiral Francis Beaufort himself: hydrographer to the British Admiralty, man of science, and author—Huler assumed—of the Beaufort Wind Scale. But what Huler discovered is that the scale that carries Beaufort’s name has a long and complex evolution, and to properly understand it he had to keep reaching farther back in history, into the lives and works of figures from Daniel Defoe and Charles Darwin to Captains Bligh, of the Bounty, and Cook, of the Endeavor. As hydrographer to the British Admiralty it was Beaufort’s job to track the information that ships relied on: where to lay anchor, descriptions of ports, information about fortification, religion, and trade. But what came to fascinate Huler most about Beaufort was his obsession for observing things and communicating to others what the world looked like. Huler’s research landed him in one of the most fascinating and rich periods of history, because all around the world in the mid-eighteenth and nineteenth centuries, in a grand, expansive period, modern science was being invented every day. These scientific advancements encompassed not only vast leaps in understanding but also how scientific innovation was expressed and even organized, including such enduring developments as the scale Anders Celsius created to simplify how Gabriel Fahrenheit measured temperature; the French-designed metric system; and the Gregorian calendar adopted by France and Great Britain. To Huler, Beaufort came to embody that passion for scientific observation and categorization; indeed Beaufort became the great scientific networker of his time. It was he, for example, who was tapped to lead the search for a naturalist in the 1830s to accompany the crew of the Beagle; he recommended a young naturalist named Charles Darwin. Defining the Wind is a wonderfully readable, often humorous, and always rich story that is ultimately about how we observe the forces of nature and the world around us.

By turns subversive and darkly comic, brutal and tender, Ron Leshem’s debut novel is an international literary sensation, winner of Israel’s top award for literature and the basis for a prizewinning film. Charged with brilliance and daring, hypnotic in its intensity, Beaufort is at once a searing coming-of-age story and a novel for our times—one of the most powerful, visceral portraits of the horror, camaraderie, and absurdity of war in modern fiction. Beaufort. To the handful of Israeli soldiers occupying the ancient crusader fortress, it is a little slice of hell—a forbidding, fear-soaked enclave perched atop two acres of land in southern Lebanon, surrounded by an enemy they cannot see. And to the thirteen young men in his command, Twenty-one-year-old Lieutenant Liraz “Erez” Liberti is a taskmaster, confessor, and the only hope in the face of attacks that come out of nowhere and missions seemingly designed to get them all killed. All around them, tension crackles in the air. Long stretches of boredom and black humor are punctuated by flashes of terror. And the threat of death is constant. But in their stony haven, Erez and his soldiers have created their own little world, their own rules, their own language. And here Erez listens to his men build castles out of words, telling stories, telling lies, talking incessantly of women, sex, and dead comrades. Until, in the final days of the occupation, Erez and his squad of fed-up, pissed-off, frightened young soldiers are given one last order: a mission that will shatter all remaining illusions—and stand as a testament to the universal, gut-wrenching futility of war. The basis for the Academy Award-nominated film of the same name.