The final book in the award-winning, best-selling trilogy shows that while fame and fortune might be temporary, the best songs stay in your heart forever.

This best-selling tale of exploration and belonging, which won the Waterstones Childrens Book Prize 2016, Illustrated Book Category, is now available in board book.

Hugo the dog becomes the star of an all-animal band after learning to play his best friend Hector's fiddle, and despite Hector's jealousy, remains grateful to the man who gave him his start.

'Funny, touching and visually stunning, this really is a book to treasure.' Daily Mail A GIANT story of belonging and friendship from David Litchfield, author of the Waterstones Illustrated Book Prize 2016 winner The Bear and the Piano. "He has hands the size of tables," Grandad said, "legs as long as drainpipes and feet as big as rowing boats. Do you know who I mean?" "Yes," sighed Billy. "The Secret Giant. But he's not real!" Billy doesn't believe his Grandad when he tells him there's a giant living in his town, doing good deeds for everyone. He knows that a giant is too big to keep himself hidden. And why would he WANT to keep himself a secret? But as time goes on, Billy learns that some secrets are too BIG to stay secret for long... This delightful heartfelt story of belonging and friendship teaches the importance of tolerance and acceptance to young children.

An out-of-this-world picture book from David Litchfield, the best-selling author of The Bear and the Piano and Grandad's Secret Giant. Longlisted for the Kate Greenaway Medal. ***** Stunning images with a powerful message ***** Magical, heartwarming and imaginative! ***** Another amazing story by David Litchfield Heather is a little girl who wants to go to Outer Space, where the stars sparkle with magic and wonder. When a spaceship lands at Cotton Rock, it seems that all of her dreams have come true. But soon the alien has to leave. Will the spaceship ever come back? And if it does, is Heather ready to leave everything on Earth behind? This beautiful story for ages 4-7 about family and dreams travels through space and time to show us that what we are looking for might be closer than we think. David Litchfield is the author of best-selling books including The Bear and the Piano, which won the Waterstones Children's Book Prize, Illustrated Book Category in 2016 and has sold over 120,000 copies in the UK. Don't miss David's other books: The Bear and the Piano (1) The Bear, the Piano, The Dog and the Fiddle (2) The Bear, the Piano, and Little Bear's Concert (3) Grandad's Secret Giant

(Piano Solo Songbook). Variety called composer Bear McCreary's score for the hit Syfy series Battlestar Galactica "the most innovative music on TV today," and NPR said it "fits the action so perfectly, it's almost devastating: (it's) a sci-fi score like no other." For this special collection, McCreary himself has translated the acclaimed orchestral score into fantastic solo piano arrangements at the intermediate to advanced level. Includes 19 selections in all, and as a bonus, simplified versions of "Roslin and Adama" and "Wander My Friends." Contains a note from McCreary, as well as a biography. A must for all BSG fans! "At last, fans can now be a part of the musical process themselves and experience the score as I first did: with fingertips touching the ivories." Composer Bear McCreary

Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In Occupy, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors’ lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide. “You break through the screen like Alice in Wonderland,” Taussig writes in the opening essay, “and now you can’t leave or do without it.” Following Taussig’s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter—by rejecting the very discourse and strategy of politics—Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument. Occupy stands not as a primer on or an authoritative account of 2011’s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment—an occupation itself.