This title explores the controversy surrounding the design of the new Foreign Office in London during Britain's Imperial heyday. In 1855 it was decided to build a new block of government offices in London, starting with the Foreign and War Offices. The government offices competition came at what was probably - looking back on it - the zenith of Britain's confidence as a nation and international power. One would expect the mid-Victorians to have felt, firstly, pride in their current national situation; and secondly, the urge to commemorate this in the most important national building to be projected in twenty years. Porter uses the debates surrounding the building of these important new monuments to interrogate the very fabric of British society, culture and nation building. The discussion on so many issues - religion, nationality, empire, history, modernism, truth, morality, gender - quite apart from considerations of 'pure' aesthetics, offers an unusual, perhaps even unique, insight into the relationship between these matters and the 'culture' of the time.

On November 28, 1973, the world's social elite gathered at the Palace of Versailles for an international fashion show. By the time the curtain came down on the evening's spectacle, history had been made and the industry had been forever transformed. This is that story. Conceived as a fund-raiser for the restoration of King Louis XIV's palace, in the late fall of 1973, five top American designers faced off against five top French designers in an over-the-top runway extravaganza. An audience filled with celebrities and international jet-setters, including Princess Grace of Monaco, the Duchess of Windsor, Paloma Picasso, and Andy Warhol, were treated to an opulent performance featuring Liza Minnelli, Josephine Baker, and Rudolph Nureyev. What they saw would forever alter the history of fashion. The Americans at the Battle of Versailles– Oscar de la Renta, Bill Blass, Anne Klein, Halston, and Stephen Burrows – showed their work against the five French designers considered the best in the world – Yves Saint Laurent, Hubert de Givenchy, Pierre Cardin, Emanuel Ungaro, and Marc Bohan of Christian Dior. Plagued by in-fighting, outsized egos, shoestring budgets, and innumerable technical difficulties, the American contingent had little chance of meeting the European's exquisite and refined standards. But against all odds, the American energy and the domination by the fearless models (ten of whom, in a groundbreaking move, were African American) sent the audience reeling. By the end of the evening, the Americans had officially taken their place on the world's stage, prompting a major shift in the way race, gender, sexuality, and economics would be treated in fashion for decades to come. As the curtain came down on The Battle of Versailles, American fashion was born; no longer would the world look to Europe to determine the stylistic trends of the day, from here forward, American sensibility and taste would command the world's attention. Pulitzer-Prize winning fashion journalist Robin Givhan offers a lively and meticulously well-researched account of this unique event. The Battle of Versailles is a sharp, engaging cultural history; this intimate examination of a single moment shows us how the world of fashion as we know it came to be.

"First published in Great Britain by Bantam Press"--T.p. verso.

A momentous event that sent shock waves across Europe, the battle of Crecy marked a turning point in the English king's struggle with his Valois adversary. This book assesses the significance of Crecy, and offers interpretations of both the battle itself and the campaign that preceded it.

The historian and founder of the Anglo-Zulu War Historical Society presents his groundbreaking account of the Battle of Isandlwana. The story of the British Army’s defeat at Iswandlwana in 1879 has been much written about, but never with the detail and insight revealed by the research of Dr. Adrian Greaves. In reconstructing the dramatic and fateful events, Greaves draws on newly discovered letters, diaries and papers of survivors and other contemporaries. These include the contemporary writings of central figures such as Henry Harford, Lt Henry Carling of the Royal Artillery, August Hammar and young British nurse Janet Wells. These historical documents, coupled with Greaves’s own detailed knowledge of Zululand, enable him to paint the most accurate picture yet of this cataclysmic battle that so shamed the British establishment. We learn for the first time of the complex Zulu decoy, the attempt to blame Colonel Durnford for the defeat. Greaves uncovers evidence of another “Fugitives’ Trail” escape route taken by battle survivors, as well as the identity of previously unknown escorts for Lieutenants Coghill and Melville, both awarded Victoria Crosses for trying to save the Colors.