May 1809. Napoleon’s Grande Armée has taken Vienna and is preparing to cross the Danube, but the Austrians are waiting for him in Essling. The carnage can begin ... Louis-François Lejeune, young colonel attached to the emperor’s staff, meets his old friend Henri Beyne in occupied Vienna. He also meets the beautiful Anna Krauss, with whom he is madly in love with. Nearby, though, Napoleon is attempting to crush the Austrian army, and organising the crossing of the Danube for his troops on a single pontoon bridge hurriedly erected near Essling. Louis-François is forced to abandon his love and return to the front – and the coming firestorm ...

May 1809. Napoleon's Grande Armée has taken Vienna and is preparing to cross the Danube, but the Austrians are waiting for him in Essling. The carnage can begin ... Second part of a trilogy full of sound and fury.

Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

There are numerous Order of Battle books on the market. So what makes this one so special? Why should one decide on this particular book? Most Order of Battle books usually deal only with the division and corps level of a country’s army. Most higher commands are not covered. This book deals with all the branches of a country’s military, giving a breakdown of all the major echelons of command, from theater down to brigade, under each component (army group, armies, corps, division, and brigade), and the equivalent command structure for the other military branches are included. Second, it attempts to give an overall command structure of the country’s military, showing the central headquarters command structure as well as the major components (army groups, armies, corps, etc.) Third, most Order of Battle books list the commanders and their dates of tenure. This book includes those but also lists their next duty assignments or where they went after leaving the post. One can literally trace a general officer’s career through the upper echelons of command, making this completely different from all the other Order of Battle books on the market.

What history records as the Hundred Years War was in fact a succession of destructive conflicts, separated by tense intervals of truce and dishonest and impermanent peace treaties, and one of the central events in the history of England and France. It laid the foundations of France's national consciousness, even while destroying the prosperity and political preeminence which France had once enjoyed. It formed the nation's institutions, creating the germ of the absolute state of the seventeenth and eighteenth centuries. In England, it brought intense effort and suffering, a powerful tide of patriotism, great fortune succeeded by bankruptcy, disintegration, and utter defeat. The war also brought turmoil and ruin to neighboring Scotland, Germany, Italy, and Spain.