The Basic Guide to Pitching, Producing and Distributing Your Film features 70 tips on how to successfully pitch your script or TV series, produce your film, and find a distributor for your completed film. It suggests how to create a Show Bible for a TV or streaming series, and it includes chapters on producing a low-cost documentary and on the legal basics for producing a feature film or documentary. It describes how to find a distributor, what to submit, and what to expect in a distributor contract.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.The book combines seven short books in a series, in which each book features 10 tips and techniques for becoming more successful in the film industry.GINI GRAHAM SCOTT, PhD is a screenplay writer, indie film producer, and TV game/reality show developer, plus a nonfiction writer who has published over 200 books, 50 for traditional publishers and 150 for her own company Changemakers Publishing. She also writes, reviews, and ghostwrites scripts and books for clients. She has written scripts for 20 feature films and has written and executive produced 10 films and TV projects.

The Basic Guide for Pitching, Producing and Distributing Your Film features 70 tips on how to successfully pitch your script or TV series, produce your film, and find a distributor for your completed film. It suggests how to create a Show Bible for a TV or streaming series, and it includes chapters on producing a low-cost documentary and on the legal basics for producing a feature film or documentary. It describes how to find a distributor, what to submit, and what to expect in a distributor contract.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.The book combines seven short books in a series, in which each book features 10 tips and techniques for becoming more successful in the film industry.GINI GRAHAM SCOTT, PhD is a screenplay writer, indie film producer, and TV game/reality show developer, plus a nonfiction writer who has published over 200 books, 50 for traditional publishers and 150 for her own company Changemakers Publishing. She also writes, reviews, and ghostwrites scripts and books for clients. She has written scripts for 20 feature films and has written and executive produced 10 films and TV projects

THE COMPLETE GUIDE TO DISTRIBUTING AN INDIE FILM provides a step-by-step guide for setting up distribution for your film. It is designed primarily for independent filmmakers who are distributing their first few films with budgets ranging from under $200,000 to a few million. It is divided into six sections which include: - an overview of the distribution process, which describes the many channels for distributing a film, creating a realistic strategy, and approaching and assessing distributors and sales agents. - creating your printed materials and deliverables, such as creating a poster, screener, trailer, and a complete film in different formats - publicizing your film, from working with a publicist to doing it yourself; topics covered include creating press releases, a press kit, and a media portfolio, and contacting the media - entering film festivals, including deciding which festivals to enter, upping your chances of getting in, and increasing your ability to get awards and attention - arranging for theatrical screenings, from setting up screenings and making deals to building an audience - making contacts at the AFM, whether you attend or make connections from afar. The book is drawn from the author's experiences in distributing and promoting her own feature film, attending festivals and conferences, going to the AFM, helping clients who have set up theatrical screenings, and doing research on recent developments and trends in distribution.

The Basic Guide to Doing Your Own Film Distribution provides the essential guidelines for distributing your own film. After an overview in Part I of the various steps to take to be successful, the next four parts deal with the major ways to increase awareness and sales. Part II covers setting up theatrical screenings. Part III describe setting up and promoting local screenings. Part IV discusses getting into film festivals and winning awards. Part V offers tips on how to set up online sales through aggregators, video on demand platforms, and your own website or landing page.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.GINI GRAHAM SCOTT, PhD is a screenplay writer, indie film producer, and TV game/reality show developer, plus a nonfiction writer who has published over 200 books, 50 for traditional publishers and 150 for her own company Changemakers Publishing. She also writes, reviews, and ghostwrites scripts and books for clients. She has written scripts for 20 feature films and has written and executive produced 10 films and TV projects.

As the digital revolution has democratised film production, a new hybrid model of distribution is the way independent filmmakers can take control of their own distribution. This approach is not just DIY or Web-based - it combines the best techniques from each distribution arena, old and new. In Think Outside the Box Office, Reiss explains audience identification and targeting, negotiating split-rights agreements, the new role of film festivals and more.

Budding filmmakers, television producers, directors, writers, and students get a crash course on the independent production scene in this riveting account of the business and its key players. Now revised to reflect the latest production trends in the entertainment industry, this book is packed with never-before-revealed secrets about the challenging and exciting role producers play in bringing a film or television pilot to the screen, told by two veteran, award-winning producers. Readers will learn what skills and traits they need to succeed as the mastermind behind an independent production, including insider tips on how to assemble and manage a talented ensemble of writers, directors, actors, and crew-members. The book also includes up-to-date contact information for film festivals and foreign distributors, as well as sample budgets, film partnership proposals, and other forms. Aspiring film and television artists will find the practical understanding and insight vital to success.

CHANGING THE PARADIGM FOR FILMMAKERS AND GETTING PROJECTS DONE A fun, global and rigorous guide to learn how to pitch your film and television project to anyone in the film industry anywhere in the world. This manual is not only intended to teach the controversial art of pitching through theory, personal experiences and examples from televison series and movies, but it is also intended to help filmmakers make a paradigm shift. Pitching is not what we have been always told. And my goal with this book is to turn pitching your film into something easy, effective and fun for both the person who does it and the person who receives it. 15 years as a filmmaker and pitching instructor condensed in this book to save you all the stumbles I've seen and had in my career so that in yours there will only be successes. From a simple description of the term, to an in-depth look at the theory of pitching. From the most basic tools, to the analysis of pitching from the perspective of marketing and neuroscience. From a general approach to this discipline, to a thorough guide through the different types of pitches that any filmmaker will have to face. In this book you will find, interspersed, for a more enjoyable and varied reading, my knowledge acquired over more than a decade, my personal experiences and those of my students, and the sequences of films and television series that best teach us what a pitch is. It is both an essential reference book for any filmmaker in the 21st century and an enjoyable journey through the day-to-day life of anyone with a film or television project in the making.