The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study. Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.

The Barnes Foundation HandbookPaperback; 224 pages; 6 x 9 in.The Barnes Foundation Handbook is a compact, portable introduction to our renowned collection of art and objects. This lavishly illustrated book offers a room-by-room tour of the Barnes Foundation, with concise entries on 172 works in the collection ranging from important paintings by Vincent van Gogh, Paul Cézanne, Pierre-Auguste Renoir, Henri Matisse, and others, to metalwork, ceramics, textiles, furniture, and sculptures from Africa, Asia, and North America. An introduction and an essay on Dr. Albert Barnes's unique approach to displaying works of art place these objects in the larger context of the Barnes Foundation and its educational mission.

A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.

A playful room-by-room "bird-watching" guide to the Albert C. Barnes galleries. Rumor has it that Dr. Barnes put a bird in every room of his famed collection. But is this really true, and if so, why? The Barnes Foundation collection offers an astounding array of art, focusing on post-impressionist and early modern masters: Renoir, Cézanne, Picasso, and Matisse. However, interspersed among these notable greats is a different kind of collection that incorporates folk art, pottery, furniture, and ironwork from cultures around the world. The instructional collection is built around a philosophy of individual interpretation, and following the birds from one room to another offers you an accessible starting point for uncovering the educational methods Dr. Barnes used to encourage students to look at art. This lighthearted tour weaves art, history, and lessons on the collection into a delightful search for birds hiding in the gallery.

A spectacular survey of the world's most comprehensive collection of works by the Impressionist master Renoir The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cézanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical--and often contested--role in the development of modern art. Published in association with the Barnes Foundation

This catalogue is the first publication of the Barnes Foundation's collection of over three hundred American works of art, including a treasury of important early-twentieth-century paintings by William J. Glackens, Maurice and Charles Prendergast, Charles Demuth, Alfred H. Maurer, Ernest Lawson, Horace Pippin, Marsden Hartley, Jules Pascin, and many others. Rich with compelling, firsthand accounts of the collector's methods and purpose, this definitive scholarly examination of the American paintings and works on paper assembled by Dr. Albert C. Barnes offers a long overdue exploration of his exceptional achievement.