During the fifth and sixth centuries A.D. there arose on the Euphrates frontier, between the empires of Rome and Iran, a city girded with glittering gypsum walls. Within these walls stood a great church, a shrine for the relics of Saint Sergius, who was martyred there, at Rusafa, in the early fourth century. Around Rusafa stretched the "Barbarian Plain," inhabited by Rome's Arab allies, many of whom revered the saint. Elizabeth Key Fowden examines the rise of the cult of Sergius in late antiquity, drawing on literary accounts, inscriptions, archaeology, images, and the landscape itself to construct a many-faceted picture of the role of religion in this frontier society. Focusing on the socio-cultural as well as the political dimensions of the Sergius cult, her study sheds light on the lives of the ordinary faithful, as well as on religion's place in the strategic calculations of hostile empires. Beginning with a detailed analysis of the surviving accounts of the martyrdom of Sergius, Fowden provides a discussion of Syrian Rusafa-Sergiopolis, traces the spread of the Sergius cult in Syria and Mesopotamia, and provides a provocative interpretation of the relation between the saint's presence at Rusafa and his role in frontier defense. She also discusses Arab Christianity in the context of late Roman culture in the East, as well as the continuation of the Sergius tradition after the Muslim conquest, emphasizing the changes and continuities brought by the rise of Islam.

On the ancient plains of Krynn arise new perils. The village of Yala-tene is flourishing. Twelve years of peace and plenty have allowed the little settlement to grow into a thriving town. But its peace is threatened--from within by an ambitious priest of the dragon cult, and from without by a savage horde of warriors, bent on conquest. Against this array of evil, Chief Amero and the bronze dragon Duranix strive to hold the fragile threads of civilization together. Best-selling writing team Thompson and Cook return to the world of Dragonlance in the second book of the epic Barbarians trilogy.

In Violence and Belief in Late Antiquity, Thomas Sizgorich seeks to understand why and how violent expressions of religious devotion became central to the self-understandings of both Christian and Muslim communities between the fourth and ninth centuries. Sizgorich argues that the cultivation of violent martyrdom as a path to holiness was in no way particular to Islam; rather, it emerged from a matrix put into place by the Christians of late antiquity. Paying close attention to the role of memory and narrative in the formation of individual and communal selves, Sizgorich identifies a common pool of late ancient narrative forms upon which both Christian and Muslim communities drew. In the process of recollecting the past, Sizgorich explains, Christian and Muslim communities alike elaborated iterations of Christianity or Islam that demanded of each believer a willingness to endure or inflict violence on God's behalf and thereby created militant local pieties that claimed to represent the one "real" Christianity or the only "pure" form of Islam. These militant communities used a shared system of signs, symbols, and stories, stories in which the faithful manifested their purity in conflict with the imperial powers of the world.

A study of the changes initiated into the systems and culture of the plain dwellers