Sally Mann Romano, an attorney in her native Texas, is the proprietor of an animal sanctuary and deep-pocket money pit known as Rockit Ranch Rescue. She came to the law after her marriage to Spencer Dryden, drummer for Jefferson Airplane, having also spent a number of years working for, traveling with, and tending to Frank Zappa, the Grateful Dead, Grace Slick, Ten Years After, Stephen Stills, The Band, and other characters of similarly dubious repute. Sally has been featured in a number of photo essays of so-called "groupies" and women in rock by Baron Wolman, Henry Diltz, Jim Marshall, and other renowned rock-and-roll photographers. She is the subject of paintings by artists as diverse as Jim Bama and Alice McMahon, both of whom based their works on the iconic photo by Baron Wolman that originally appeared in Rolling Stone, and countless interviews and magazine articles. Her memoir, The Band's With Me, with a foreword by Grace Slick and photographs by Baron Wolman, Henry Diltz, Herb Greene, Rosie McGee, and others, chronicles her escapades in the kaleidoscopic world of music and entertainment in the late 1960s and 1970s, comes clean on affairs of the heart and otherwise, and offers a wry, unsparing take on some of the more unforgettable musicians who marked an equally unforgettable era. There are over 100 photos, many previously unpublished.

"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--

As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.

Fifteen young adult authors and one real-life rock star band together for one epic—and interconnected—take on a memorable high school rite of passage. A daughter of rock ’n’ roll royalty has a secret crush. A lonely ticket taker worries about his sister. An almost-famous songwriter nurses old wounds. A stage manager tires of being behind the scenes. A singer-songwriter struggles to untangle her feelings for her best friend and his girlfriend. In this live-out-loud anthology, the disparate protagonists of sixteen stories are thrown together for one unforgettable event: their high school’s battle of the bands. Told in a harmonic blend of first- and third-person narrative voices, roughly chronological short stories offer a kaleidoscopic view of the same transformative night. Featuring an entry from Justin Courtney Pierre, lead vocalist of Motion City Soundtrack, Battle of the Bands is a celebration of youth, music, and meeting the challenges of life head-on. With stories by Brittany Cavallaro, Preeti Chhibber, Jay Coles, Katie Cotugno, Lauren Gibaldi, Shaun David Hutchinson, Ashley Poston, Jenny Torres Sanchez, Sarah Nicole Smetana, Eric Smith, Jenn Marie Thorne, Sarvenaz Taghavian, Jasmine Warga, Ashley Woodfolk, and Jeff Zentner, and featuring Motion City Soundtrack’s Justin Courtney Pierre.

An investigative account of the medical, sexual, and scientific questions surrounding the spread of AIDS across the country.

Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

The sensational ’60s music memoir—part rock & roll fairytale, part mob epic—that “reads like a music-industry version of Goodfellas” (The Denver Post). Tommy James was the 60’s pop icon behind timeless hits like “Hanky Panky,” “Mony Mony,” “I Think We’re Alone Now,” “Crimson and Clover,” and more. These songs helped define the era, and they have been covered by artists ranging from Billy Idol to Tiffany to R.E.M. But just as compelling as the music itself is the life Tommy James lived while making it. In Me, the Mob, and the Music, James reveals his complex and sometimes terrifying relationship with Roulette Records and Morris Levy, the legendary Godfather of the music business. It is a fascinating portrait of this swaggering era of rock ‘n’ roll, when concerts were wild and the hits kept coming—while, just backstage, payola schemes and mafioso tactics were the norm.