(Vocal Selections). Winner of the New York Drama Critics' Circle Award for Best Musical, The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name. This vocal selections folio features 11 vocal line arrangements with piano accompaniment composed by David Yazbek: Answer Me * The Beat of Your Heart * Haled's Song About Love * It Is What It Is * Itzik's Lullaby * Omar Sharif * Papi Hears the Ocean * Something Different * Soraya * Waiting * Welcome to Nowhere.

Leipzig, Germany, 1722, where Johann Kuhnau, revered organist of the Thomaskirche, suddenly dies, leaving his post vacant. The town council invites musicians from across to audition for the coveted position, among them young Johann Sebastian Bach. In an age where musicians depend on patronage from the nobility or the church to pursue their craft, the post at a prominent church in a cultured city is a near guarantee of fame and fortune - which is why some of the candidates are willing to resort to any lengths to secure it. --

Before headlines blazed, before the Mitchell Report and ESPN lit up millions of television screens with the scandals, comes the story of three guys making their way in the world of professional baseball--a world too competitive to rely solely on raw talent. This play takes you behind the headlines into the locker room to witness an even more gripping confrontation you didn't see on TV, as these teammates face each other and do battle--for their careers, their legacies, and the future of America's favorite pastime.--From publisher description.

This comedy parodies every English mystery play ever written: but it has a decidedly American flair. Miss Maple, a dowager with a reputation for "clever" weekend parties, invites a group of detective writers to eerie Ravenswood Manor on Turkey Island, where they are to impersonate their fictional characters. The hostess has arranged all sorts of amusing incidents: a mysterious voice on the radio, a menacing face at the window, a mad killer on the loose. Who is that body in the wine cellar anyway? Why do little figurines keep toppling from the mantle? Then a real murder takes place, and Miss Maple is outraged. She offers an immense reward to the "detective" who can bring the killer to justice. And what an assortment of zany would-be sleuths! When they're not busy tripping over clues, they trip over each other! Laughs collide with thrills, and the climax is a real seat-grabber as the true killer is unmasked, and almost everyone turns out to be someone else! Can be played as a pure farce, or as humorous satire.

THE STORY: Growing up in an impoverished family in the Bronx, Moss Hart dreamed of being part of the glamorous world of the theatre. Forced to drop out of school at age thirteen, Hart’s famous memoir Act One is a classic Hortatio Alger story that plots Hart’s unlikely collaboration with the legendary playwright George S. Kaufman. Tony Award-winning writer and director James Lapine has adapted Act One for the stage, creating a funny, heartbreaking, and suspenseful play that celebrates the making of a playwright and his play Once in a Lifetime. ACT ONE offers great fun to a director to utilize over fifty roles, which can be played by a cast as few as twelve, and in a production that can be done as simply or elaborately as desired.

In 1996, Patterson Hood recruited friends and fellow musicians in Athens, Georgia, to form his dream band: a group with no set lineup that specialized in rowdy rock and roll. The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes. Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.

Tells the story of six unemployed, out-of-shape steel-mill workers from Buffalo, NY, who pick up some extra cash by putting on their own male strip show.