GOOD MORNING AMERICA BUZZ PICK • A young Indian woman finds the false rumors that she killed her husband surprisingly useful—until other women in the village start asking for her help getting rid of their own husbands—in this razor-sharp debut. "A radically feel-good story about the murder of no-good husbands by a cast of unsinkable women.”—The New York Times Book Review Longlisted for the Andrew Carnegie Medal • A She Reads Best Book of the Year Five years ago, Geeta lost her no-good husband. As in, she actually lost him—he walked out on her and she has no idea where he is. But in her remote village in India, rumor has it that Geeta killed him. And it’s a rumor that just won’t die. It turns out that being known as a “self-made” widow comes with some perks. No one messes with her, harasses her, or tries to control (ahem, marry) her. It’s even been good for business; no one dares to not buy her jewelry. Freedom must look good on Geeta, because now other women are asking for her “expertise,” making her an unwitting consultant for husband disposal. And not all of them are asking nicely. With Geeta’s dangerous reputation becoming a double-edged sword, she has to find a way to protect the life she’s built—but even the best-laid plans of would-be widows tend to go awry. What happens next sets in motion a chain of events that will change everything, not just for Geeta, but for all the women in their village. Filled with clever criminals, second chances, and wry and witty women, Parini Shroff’s The Bandit Queens is a razor-sharp debut of humor and heart that readers won’t soon forget.

Jesse and the Bandit Queen is an intriguing, many sided saga about the stormy relationship between Jesse James and Belle Starr. Interwoven into the play are tales of their outlaw contemporaries and of the people close to Jesse and Belle friends, foes, family and lovers. The two actors switch in and out of various roles to present a sweeping spectrum of the American West legend, myth and reality.

She named it Laws of the Bandit Queens after Phoolan Devi, an Indian woman who rebelled from childhood against everything her culture demanded of her." "After two years of photography sessions and interviews in every thinkable location, from a rooftop in New York City to the women's ward of a prison, Ali's work is done. The result is a fun and inspiring collection of portraits - in words and pictures. Each of these incredible women offers a law for women and girls to live by."--BOOK JACKET.

Exploring the narratives that orient the lives of women scholars

The battle continues in this silkpunk fantasy as science and destiny collide against the will of the gods in this final installment in the epic Dandelion Dynasty series from the “genius” (Elizabeth Bear, Hugo Award­–winning author of the Eternal Sky series) Hugo, Nebula, and World Fantasy Award–winning author Ken Liu. The concluding book of The Dandelion Dynasty begins immediately after the events of The Veiled Throne, in the middle of two wars on two lands among three people separated by an ocean yet held together by the invisible strands of love. Harried by Lyucu pursuers, Princess Théra and Pékyu Takval try to reestablish an ancestral dream even as their hearts grow in doubt. The people of Dara continue to struggle against the genocidal Lyucu as both nations vacillate between starkly contrasting visions for their futures. Even the gods cannot see through the Wall of Storms, for only mortal hearts can decide mortal fates. Award-winning author Ken Liu fulfills the covenants first laid out a decade ago in a series delving deep into the connection between national myths and national constitutions in this “magnificent fantasy epic” (NPR).

Global Icons considers how highly visible public figures such as Mother Theresa become global icons capable of galvanizing intense affect and sometimes even catalyzing social change.

In 1965, 18-year-old Persis Khambatta became the third woman to be crowned Miss India. After moving to England and then to the United States, she found worldwide fame in the first Star Trek movie in 1979, and in 1980 she became the first Indian presenter at the Academy Awards. The American film industry seemed never to forgive Khambatta for being a non-white woman who refused to do nude scenes. After failing to sustain a career as either a producer or a performer, she achieved a triumph before her sudden death in 1998 with the publication of her book Pride of India: A Tribute to Miss India. Based on contemporary news articles and primary sources, this first biography examines Khambatta's Hindi and English-language film and television work, and demonstrates the many ways she was ahead of her time as a filmmaker, feminist, and humanitarian.