This is the story of the greatest escape artist of Australia's convict era - the legend of Moondyne Joe. "They'll not take my freedom away!" These are the words of Moondyne Joe, the beloved scoundrel and expert bushman of early Australian convict history. There wasn't a cell built that could contain him, and Joe often led the troopers on wild chases through the Moondyne Hills. This is the story of a colourful Australian legend from the award-winning team of Mark Greenwood and Frané Lessac.

Moondyne Joe was colonial Australia's ultimate escape artist. His daring and repeated breakouts drove the Governor to build him a special cell. And when Moondyne Joe escaped again, he drove the Governor mad. Moondyne Joe himself died a pauper in Fremantle Lunatic Asylum but not before he gained notoriety as a lawbreaker, the husband of a brothel madam, a bushman who befriended local Indigenous people, and as a folk hero who championed the underdog. Written by John Kinsella, one of Australia's best known poets, and Niall Lucy, a caustic and irreverent social commentator, this book is an anarchic and playful examination of an elusive man and the harsh convict system he resisted.

This book is concerned with the complexities of defining 'place', of observing and 'seeing' place, and how we might write a poetics of place. From Kathy Acker to indigenous Australian poet Jack Davis, the book touches on other writers and theorists, but in essence is a hands-on 'praxis' book of poetic practice. The work extends John Kinsella's theory of 'international regionalism' and posits new ways of reading the relationship between place and individual, between individual and the natural environment, and how place occupies the person as much as the person occupies place. It provides alternative readings of writers through place and space, especially Australian writers, but also non-Australian. Further, close consideration is given to being of 'famine-migrant' Irish heritage and the complexities of 'returning'. A close-up examination of 'belonging' and exclusion is made on a day-to-day basis. The book offers an approach to creating poems and literary texts constituted by experiencing multiple places, developing a model of polyvalent belonging known as 'polysituatedness'. It works as a companion volume to Kinsella's earlier Manchester University Press critical work, Disclosed Poetics: Beyond Landscape to Lyricism.

A girl sails steerage to make good in the boom-time colonies. The 1890s Depression hits. How does a young woman with a baby make a living? Minnie Thwaites, also know as Mrs Frances Knorr, aged 24, hanged at the Old Melbourne Gaol despite the pleas of the great and good. In her first major work since the 2002 opera 'Lindy', Judith Rodriguez recounts in vivid verse and lyrics the bleak tragedy of a woman trying to make good against the odds. As the Brunswick Baby Farmer, Minnie Thwaites ekes out a precarious existence by taking in the unwanted babies of other women. But there is something shocking about her business that has ramifications long after her death. This is a fascinating piece of true crime, compellingly told by one of Australia's leading poets.

Nadat een man van zijn zus heeft gehoord dat hun extreem corpulente vader is overleden, overdenkt hij hun moeizame relatie die werd gekenmerkt door geestelijke, lichamelijke en emotionele mishandeling.

Ideas are in short supply and critical thinking is under attack. Thats according to Niall Lucy in his latest book, Pomo Oz. Pitting his humour and intellect against the conservative power brokers, Lucy champions the notion that free thought, not free trade, is the basis of democracy....

Tom Bower was a poacher and something of a ne'er do well, who fell foul of draconian game laws of the time and ended up being transported to Australia with little hope of return. His story is fascinating as well as sad - a real-life tale uncovered by a living relative.