Dhaka. 2 October 1977. A military coup is thwarted, but the exact sequence of events is shrouded in mystery. Soon after, Ayesha Begum, recovering from the birth of her second child, receives a letter from the air force stating that her husband Joynal Abedin has been sentenced to death, convicted of insurgency. But has the verdict been carried out? If it was, when and where was he executed? If he was indeed hanged, what has happened to his body? Trying to find answers to these questions, Ayesha embarks on a long and arduous quest to search for her husband, reminiscent of Behula's epic journey in her effort to resurrect her dead husband Lakhinder in the Bengali folktale Manashamangal. Set against the backdrop of a raging famine, political assassinations and coups that took Bangladesh by storm right after its independence in 1971, Anisul Hoque's The Ballad of Ayesha is as much a story of the newly created nation as it is the story of its people.

Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.