65 Church Hymns arranged for the Great Highland Bagpipe of Scotland. In each Hymn are lyrics done in "rhythm syllables" to enhance your sight reading skills. A CD with a recording of each Hymn played on the Practice Chanter is also available for purchase.

This is a collection of fifty of the simplest bagpipe tunes that you can learn and play easily - with practice! Many of these tunes are old favourites and are played by pipers around the world. Included is a selection of popular simple airs, retreats and marches but nothing too complicated for the novice. Many of them are frequently requested at events and gatherings and you will impress your family and friends with these classic tunes.

"Hymn singing reflects a congregation's spiritual vitality and their response to God's grace.

This informative resource provides a brief history of each hymn in the popular hymnal Glory to God. Written by one of the foremost hymn scholars today, the Companion explains when and why each hymn was written and provides biographical information about the hymn writers. Church leaders will benefit from this book when choosing hymn texts for every worship occasion. Several indexes will be included, making this a valuable reference tool for pastors, worship planners, scholars, and students, as well as an interesting and engaging resource for music lovers.

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.