For much of the last half of the twentieth century, W. G. Lambert devoted much of his research energy and effort to the study of Babylonian texts dealing with Mesopotamian ideas regarding creation, including especially Enuma Elish. This volume, which appears almost exactly 2 years after Lambert’s death, distills a lifetime of learning by the world’s foremost expert on these texts. Lambert provides a full transliteration and translation of the 7 tablets of Enuma Elish, based on the known exemplars, as well as coverage of a number of other texts that bear on, or are thought to bear on, Mesopotamian notions of the origin of the world, mankind, and the gods. New editions of seventeen additional “creation tales” are provided, including “Enmesharra’s Defeat,” “Enki and Ninmah,” “The Slaying of Labbu,” and “The Theogony of Dunnu.” Lambert pays special attention, of course, to the connection of the main epic, Enuma Elish, with the rise and place of Marduk in the Babylonian pantheon. He traces the development of this deity’s origin and rise to prominence and elaborates the relationship of this text, and the others discussed, to the religious and political climate Babylonia. The volume includes 70 plates (primarily hand-copies of the various exemplars of Enuma Elish) and extensive indexes.

"The Babylonian Legends of the Creation" presents the texts of the first Babylonian clay tablets presented to the scientific world in 1848. Many of the stories reflected the mythical history of creation. The authors of this book were among the pioneers of archaeology, who made the earliest attempts to see and analyze these artifacts. The presented here book covers the history of discoveries of the tablets, their contents, and comments regarding Babylonian mythology.

"The Babylonian Legends of the Creation" presents the texts of the first Babylonian clay tablets presented to the scientific world in 1848. Many of the stories reflected the mythical history of creation. The authors of this book were among the pioneers of archaeology, who made the earliest attempts to see and analyze these artifacts. The presented here book covers the history of discoveries of the tablets, their contents, and comments regarding Babylonian mythology.

A creation myth is a symbolic narrative of how the world began and how people first came to inhabit it. They develop in oral traditions and therefore typically have multiple versions; and they are the most common form of myth, found throughout human culture. In the society in which it is told, a creation myth is usually regarded as conveying profound truths, metaphorically, symbolically and sometimes even in a historical or literal sense. They are commonly, although not always, considered cosmogonical myths—that is they describe the ordering of the cosmos from a state of chaos or amorphousness.Creation myths often share a number of features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all stories with a plot and characters who are either deities, human-like figures, or animals, who often speak and transform easily. They are often set in a dim and nonspecific past, what historian of religion Mircea Eliade termed in illo tempore ("at that time"). Also, all creation myths speak to deeply meaningful questions held by the society that shares them, revealing of their central worldview and the framework for the self-identity of the culture and individual in a universal context.

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