Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations. From the Trade Paperback edition.

This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.

A translation of Babur's personal memoir written in Turki, Baburnama remains true to the original, portraying the extraordinary life of the founder of the Mughal Empire in India. Often quoted by historians and academicians alike, this book possesses the rare distinction of being relevant across centuries. Baburnama is the complete record of Babur's life from the time he ascended the throne at the young age of eleven to when he finally established himself as a monarch (1493 to 1529).What fascinates readers even today is Babur's intimate and detailed account of the world around him and what is truly astonishing is that there is no historical precedent for his narrative, making it the first real autobiography in Islamic literature. Annette Susannah Beveridge's nuanced translation offers us a unique insight into this remarkable period in history.

The Facts Are As Stated Here . . . I Have Set Down Of Good And Bad Whatever Is Known. The Babur Nama, A Journal Kept By Zahir Uddin Muhammad Babur (1483 1530), The Founder Of The Mughal Empire, Is The Earliest Example Of Autobiographical Writing In World Literature, And One Of The Finest. Against The Turbulent Backdrop Of Medieval History, It Paints A Precise And Vivid Picture Of Life In Central Asia And Afghanistan Where Babur Ruled In Samarkand And Kabul And In The Indian Subcontinent, Where His Dazzling Military Career Culminated In The Founding Of A Dynasty That Lasted Three Centuries. Babur Was Far More Than A Skilled, Often Ruthless, Warrior And Master Strategist. In This Abridged And Edited Version Of A 1921 English Translation Of His Memoirs, He Also Emerges As A Sensitive Aesthete, Naturalist, Poet And Lover. Writer, Journalist And Internationally Acclaimed Middle Eastern And Central Asian Expert, Dilip Hiro Breathes New Life Into A Unique Historical Document That Is At Once Objective And Intensely Personal For, In Babur S Words, The Truth Should Be Reached In Every Matter .

This book is a concise biography of Babur, who founded the Timurid-Mughal Empire of South Asia. Based primarily on his autobiography and existential verse, it chronicles the life and career of a Central Asian, Turco-Mongol Muslim who, driven from his homeland by Uzbeks in 1504, ruled Kabul for two decades before invading 'Hindustan' in 1526. It offers a revealing portrait of Babur's Perso-Islamic culture, Timurid imperial ambition and turbulent emotional life. It is, above all, a humanistic portrait of an individual, who even as he triumphed in South Asia, suffered the regretful anguish of an exile who felt himself to be a stranger in a strange land.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.